Frank Gambale Speed Picking Pdf Top !!better!! -
Frank Gambale ’s legendary Speed Picking (often called economy picking), you have to move beyond just playing fast. The core of his method is "getting organized" so that your pick moves with the same efficiency across strings as it does on a single string. 1. The "Gambale Sweep" vs. Alternate Picking
Unlike traditional alternate picking, where you strictly alternate up and down regardless of string changes, Gambale’s method uses a single stroke whenever you cross to a neighboring string.
Ascending: If you move from a lower string to a higher string, always use a downstroke, even if the pattern suggests otherwise.
Descending: When moving from a higher string to a lower string, always use an upstroke. 2. Top Exercises from the "Speed Picking" PDF
The original 1985/1994 Speed Picking curriculum focuses on these key areas:
Three-Note-Per-String Scales: This is the "bread and butter" of the system. It creates a predictable Down-Up-Down | Down-Up-Down pattern that lets you "glide" through scale runs. frank gambale speed picking pdf top
Arpeggio Skipping: Instead of linear arpeggios, Gambale skips middle notes (like playing scales in thirds) to force your picking hand to coordinate with large string jumps.
Harmonic Superimpositions: Learning to play "outside" by layering different arpeggios over a single chord, which expands your melodic vocabulary while using the same physical picking patterns. 3. Advanced Mechanics & "The Shredcam"
About the method
- Creator: Frank Gambale, Australian jazz-fusion guitarist known for his work with Chick Corea Elektric Band and an influential solo career.
- Goal: Develop high-speed, fluid picking with minimal wasted motion.
- Core idea: Combine alternate picking, sweep-like motion, and hybrid picking so the pick follows the natural string-change direction — what Gambale calls “economy picking.” This reduces pick travel and increases speed and accuracy.
- Musical focus: Jazz fusion, fast lines, chromatic runs, arpeggios, and scalar patterns across the fretboard.
Chapter 5: How to Practice (The Routine)
If you possess the PDF or the diagrams, you have the map. Here is the vehicle to drive it.
Step 1: The Metronome is Non-Negotiable Start at a tempo where you feel zero tension. If your shoulder or wrist locks up, you are playing too fast. Speed picking requires absolute relaxation.
Step 2: Mute the Strings Practice the picking motion alone, with your fretting hand lightly muting the strings. Listen to the "click" of the pick. It should sound like a ratchet—a consistent, rhythmic clicking noise. If the clicks are uneven, your sweep is uneven. Frank Gambale ’s legendary Speed Picking (often called
Step 3: Visualizing the "Ladder" Imagine the strings are a ladder. Alternate picking is like climbing a ladder by stepping over rungs. Sweep picking is sliding down the banister.
Step 4: The "Wall" You will hit a speed wall (usually around 100-110 BPM). To break it, you must clean up your fretting hand. The left hand is usually the culprit for sloppiness, not the right.
Chapter 4: The Hidden Element – Articulation & Tone
Critics often claim sweep picking sounds "mechanical" or "robotic." The "top" practitioners of Gambale’s method know that the secret lies in articulation.
- Avoiding the "Machine Gun" Effect: Every note must have distinct dynamic value. When sweeping, the natural tendency is for the middle strings to be louder because the pick has momentum. You must actively subdue the middle of the sweep to even out the volume.
- Hammer-ons and Pull-offs: Gambale often mixes legato into his sweeps to create fluidity. A pure sweep is staccato; a hybrid sweep-legato line is fluid and vocal-like.
- The "Gambale Growl": Frank often picks harder than most players. He doesn't just graze the string; he drives the pick through it. Speed picking is not light touching; it is aggressive, targeted attack.
Review: Is the Frank Gambale Speed Picking PDF Still Relevant in 2025?
Yes—more than ever. In the age of YouTube Shorts and "3-minute shred hacks," guitarists have lost the ability to build sustained, clean velocity. The frank gambale speed picking pdf top resources are "old school" precisely because they force you to do the boring work: open string drills, metronome discipline, and string crossing physics.
While new methods (like Troy Grady’s "Cracking the Code" video series) have expanded on Gambale’s work, the core PDF remains the original source code. If you master the first ten pages of the Speed Picking PDF, you will be faster than 90% of guitarists on Instagram. About the method
Why You Can’t Just Download It (The Reality Check)
Here is the hard truth: The Frank Gambale Speed Picking PDF is illegible if you don't understand standard notation. Gambale wrote the book primarily in musical notation, with tablature as an afterthought. The "top" PDF versions have small, faded tabs. If you are a tab-dependent player, you will struggle. You need to read rhythm notation (16th notes, rests, triplets) to understand the exercises.
Furthermore, a PDF cannot fix your pick angle. Gambale famously uses a very thick pick (2.0mm or higher) held almost perpendicular to the string. Without the visual of a video, the PDF leads to confusion. Combine the PDF with Gambale’s Speed Picking live clinic video on YouTube.
Tier 3: The Forbidden (Bad Tabs)
Avoid random Google Drive links that only contain 2 pages. The "top" version of this PDF is the complete version. Many bootleg copies omit the last 20 pages of exercises, which cover string skipping and arpeggios. If the PDF ends at page 44, it is garbage.
The Core Philosophy: Economy of Motion
The central thesis of Gambale’s method is Economy Picking.
Most guitarists start with Alternate Picking (down-up-down-up). While excellent for rhythmic precision, alternate picking can be inefficient when moving across strings. For example, moving from the high E string to the B string with a downstroke often causes the pick to get stuck or "jump" over the string.
Gambale’s solution is simple but radical: Always pick in the direction of the next string.
- If you are moving to a higher string (physically lower pitch), use a downstroke.
- If you are moving to a lower string (physically higher pitch), use an upstroke.
This "sweeping" motion eliminates the extraneous movement that slows players down, allowing for fluid, harp-like lines at blistering speeds.