To draft an article addressing the "20 fix" for Harry Potter and the Deathly Hallows – Part 2
, it is essential to focus on the long-standing fan debate regarding the film’s epilogue and time-jump mechanics
While the original film concludes with a "19 Years Later" jump, many fans and retrospective critics suggest a "20-year fix"
to better align the franchise's timeline with modern viewing schedules or to provide a more definitive "round number" closure for the wizarding world.
Draft Article: The "20-Year Fix" for Deathly Hallows – Part 2
Headline: Why Fans are Calling for a "20-Year Fix" to the Harry Potter Finale For over a decade, the final shot of Harry Potter and the Deathly Hallows – Part 2
has been etched into the minds of fans: Harry, Ron, and Hermione standing on Platform
, watching their own children board the Hogwarts Express. However, as we move further from the film's 2011 release, a new movement is gaining traction: the "20-Year Fix." 1. Aligning the Timeline The original book and film utilize a 19-year time jump
. While iconic, the "20-year fix" proposes shifting this slightly to a two-decade milestone. This adjustment isn't just about rounding up; it’s about the emotional weight of a generation. A 20-year gap fits more naturally into retrospective discussions and anniversary celebrations hosted by platforms like Wizarding World 2. Visual Effects and "De-Aging"
One of the most criticized aspects of the 2011 finale was the "aging" makeup used on the lead actors. Critics at
and various fan forums have often noted that the prosthetics felt uncanny. A "20-year fix" via a digital remaster could:
Use modern AI de-aging (or aging) tech to make the 30-something trio look more authentic.
Fix the "barely visible" scar to better reflect its symbolic fading over two full decades. 3. The "Cursed Child" Connection Harry Potter TV series
on the horizon for 2026, the 19-year gap feels increasingly specific to the original book's math. A 20-year fix allows the franchise to reset its clock, potentially bridging the gap between the original films and future spin-offs or stage plays like The Cursed Child more seamlessly. The Verdict
Whether it’s a literal edit to the "19 Years Later" title card or a conceptual shift in how we view the ending, the "20-year fix" represents the fans' desire to keep the magic precise, polished, and permanent. (VFX fixes) or the narrative timeline
The finale of the Harry Potter saga, Harry Potter and the Deathly Hallows – Part 2, is widely considered a cinematic triumph. However, even the most devoted "Potterheads" acknowledge that the leap from J.K. Rowling’s dense prose to the silver screen left some gaps.
If we could go back and apply a "20-point fix" to the film, here is how we would bridge the gap between a great movie and a perfect adaptation. The Narrative & Character Arcs
The Dumbledore Backstory: The film largely ignores the "Life and Lies of Albus Dumbledore." We needed more context on his youthful dalliance with Grindelwald to understand his motivations.
The Mirror Fragment: In the film, Harry just has the shard of Sirius’s mirror. A 30-second flashback explaining its origin would have fixed a major plot hole for casual viewers.
Wormtail’s End: In the book, Peter Pettigrew’s silver hand strangles him when he shows a moment of mercy. The film relegates his exit to an off-screen stun spell, robbing him of a poetic, dark conclusion.
Percy’s Redemption: Percy Weasley’s return to the family and his reconciliation with Arthur during the Battle of Hogwarts is a massive emotional beat that was sadly cut.
The Elder Wand’s Logic: The film skips the explanation of why the wand belongs to Harry (disarming Draco). Without this, the final duel feels like luck rather than lore. The Battle of Hogwarts
The Battle in the Great Hall: The book features a massive final brawl where centaurs, house-elves (led by Kreacher!), and the residents of Hogsmeade join the fray. The film’s focus is a bit too narrow.
Fred’s Death: Fred Weasley dies with a laugh on his lips while joking with Percy. Seeing him already dead on the floor in the film felt like a missed opportunity for a truly gut-wrenching scene.
The House-Elves' Charge: Seeing the Hogwarts kitchens empty out to defend the castle would have been a visual and emotional highlight.
Teddy Lupin: A brief mention of Remus and Tonks' son would have made their sacrifices feel more poignant and connected to Harry’s own journey as an orphan. The Final Showdown
The Dialogue: In the book, Harry and Voldemort circle each other in the Great Hall while Harry explains exactly why Voldemort is going to lose. This verbal dismantling is more powerful than the silent "shredding" duel in the film.
Voldemort’s Death: This is the biggest fix. In the book, Voldemort falls as a "common man," proving he was just a mortal. The film's decision to have him turn into confetti ruins the "Tom Riddle" humanity of his demise.
The Audience: The final duel should have happened in front of everyone. The school needed to see the "Master of Death" fall to prove the fear was over.
Harry Fixing His Wand: In the book, Harry uses the Elder Wand to fix his original phoenix feather wand. In the film, he just breaks the Elder Wand and is left wandless. Emotional Resonances
The Ravenclaw Common Room: We missed the brief but tense scene of Harry and Luna infiltrating the Ravenclaw tower and Harry defending Professor McGonagall’s honor.
Ginny’s Agency: Ginny Weasley is a fierce warrior in the books. In the film, she is mostly relegated to "the girlfriend." She deserved a moment of combat prowess.
Neville’s Speech vs. Action: While Neville’s film speech is great, the book version where Voldemort tries to recruit him—and Neville remains defiant while on fire—is arguably more "Gryffindor."
The Trio’s Unity: A final quiet moment between Harry, Ron, and Hermione before the 19-years-later jump would have helped the pacing. Technical & Aesthetic Fixes
The Color Palette: The film is notoriously dark and desaturated. A bit more color during the "King's Cross" limbo scene would have emphasized the shift in reality.
The Epilogue Aging: While the makeup was okay, a more subtle approach to aging the actors 19 years would have felt less like "kids in costumes."
The Music: While Alexandre Desplat’s score is beautiful, a more frequent use of John Williams’ original themes during the final charge would have provided a stronger emotional bridge to the beginning of the journey.
By implementing these 20 fixes, The Deathly Hallows Part 2 would not only be a cinematic spectacle but a definitive, airtight conclusion to the greatest wizarding story ever told.
Which of these book-to-movie changes bothered you the most, or do you prefer the action-heavy approach of the film?
The search results for "Harry Potter and the Deathly Hallows Part 2 20 fix" point to three distinct areas: technical fixes for the PC game, a specific fan-led "fix" for the movie's ending, and general critiques about "fixing" the adaptation's narrative gaps. 🛠️ Technical Fix: The PC Game If you are trying to run the 2011 Harry Potter and the Deathly Hallows – Part 2
video game on modern systems, you likely need a resolution or framerate fix. harry+potter+and+the+deathly+hallows+part+2+20+fix
Resolution & Wide-Screen: The game often lacks native support for 1080p or 4K. Use tools like the Harry Potter DH2 PC Fix on GitHub to unlock higher resolutions.
Framerate Issues: The game is often locked at 30 FPS. Community patches can unlock this to 60 FPS or higher for smoother gameplay.
Compatibility: Setting the .exe to run in Compatibility Mode for Windows 7 and as an Administrator solves many "crash on startup" errors. 🎬 The "20-Second" Movie Fix
Many fans refer to the "20-second fix" that would have reconciled the movie's ending with the book.
The Broken Wand: In the movie, Harry snaps the Elder Wand and throws it off a bridge without repairing his own broken phoenix-feather wand first.
The Missing Scene: A simple 20-second inclusion of the book's "Reparo" scene—where Harry uses the Elder Wand to fix his original wand—is considered the most needed "fix" by the community.
Voldemort’s Death: Another common "fix" request is changing Voldemort's "snapping into confetti" death back to the book's version, where he falls as a mundane human corpse to prove he was just a man in the end. ✍️ Narrative "Fixes" (Fan Rewrites)
There are extensive "fixes" proposed by fans to improve the film's faithfulness to J.K. Rowling's original work:
Dumbledore's Backstory: Adding the missing details about Ariana Dumbledore and Grindelwald during the King's Cross sequence to explain Dumbledore's true motives.
The Final Battle: Fixing the fight so it takes place in the Great Hall in front of everyone, rather than a private duel on the rooftops.
The Funerals: Fans often suggest adding a memorial scene for Remus Lupin, Nymphadora Tonks, and Fred Weasley to provide better emotional closure.
A review of Harry Potter and the Deathly Hallows – Part 2 highlights its status as a monumental cinematic achievement and a fulfilling conclusion to a decade-long saga. Critics and fans alike praise the film for its high stakes, intense action, and deep emotional resonance. Critical Consensus and Highlights
The finale of the Harry Potter film franchise, Harry Potter and the Deathly Hallows – Part 2
, is widely considered a masterclass in blockbuster filmmaking. However, even a "perfect" ending has room for adjustment. If we were to apply a "20% fix" to the film—sharpening the narrative without losing its soul—the focus would likely fall on pacing, character payoff, and the final showdown. 1. The Battle of Hogwarts: Showing, Not Telling
While the scale of the battle is epic, several key emotional beats happen off-screen. The deaths of Remus Lupin, Nymphadora Tonks, and Fred Weasley
are discovered rather than witnessed. A slight pivot to include brief, meaningful sequences of their final stands would heighten the stakes. Seeing Fred’s humor in the face of danger one last time, or Lupin and Tonks reaching for each other, would make the eventual reveal in the Great Hall hit significantly harder. 2. The Nuance of Albus Dumbledore
In the book, Harry grapples with the realization that his mentor was a deeply flawed man with a dark past. The film brushes past the "Life and Lies of Albus Dumbledore" subplot quite quickly. Reintroducing a bit more of this moral ambiguity
would make Harry’s choice to forgive Dumbledore in the "King’s Cross" limbo scene more powerful. It transforms Harry from a soldier following orders into a man choosing grace over resentment. 3. The Final Duel: Grounding the Magic
The cinematic duel between Harry and Voldemort features them flying through the air and merging into a gray cloud—a visual spectacle that arguably misses the point of the book. In the original text, they circle each other in the Great Hall, surrounded by witnesses. Harry explains Voldemort’s mortality to him. Bringing the fight back to the Great Hall
and emphasizing Voldemort’s fear as he realizes he is just a man would provide a more thematic "deathly" hallow than the digitized disintegration we see on screen. 4. The Epilogue: A Touch of Realism
The "19 Years Later" scene is beloved but often criticized for its aging makeup. A "fix" here isn't just about better prosthetics; it’s about the emotional atmosphere
. The scene works best when it feels like a quiet breath after a long war. Focusing less on the "old person" costumes and more on the cyclical nature of the journey—Harry seeing his own anxiety in Albus Severus—would bridge the gap between the generations more naturally. Conclusion
is a triumphant conclusion that handled an immense amount of pressure with grace. By tightening the narrative focus on the fallen , grounding the final confrontation in dialogue , and embracing the flaws of its heroes
, the film would transition from a great adaptation to an infallible piece of cinema. mentioned above, or perhaps draft a thesis statement for a more academic version of this essay?
Here’s an interesting, thoughtful review of Harry Potter and the Deathly Hallows – Part 2 that focuses on 20 key fixes or improvements (whether fan-suggested or hypothetical adjustments to the film):
Title: 20 Fixes That Would Have Made ‘Deathly Hallows – Part 2’ Even Better
Review by a long-time Potterhead
After years of defending Part 2 as a thrilling finale, I rewatched it and noticed where small changes could have elevated it from great to legendary. Here are 20 fixes — some minor, some major — that would have deepened character arcs, clarified plot logic, or honored the book’s themes.
Show the full Prince’s Tale – Not just Snape’s memories, but Lily’s childhood, Petunia’s jealousy, and Snape’s conflicted years at Hogwarts. The film rushes it.
Restore “Dumbledore’s man” line – Harry telling Snape “You’re a brave man” loses the weight of “Dumbledore’s man through and through.”
Give Ron his Horcrux-destroying moment – In the book, Ron destroys the Cup and shouts “That’s twice!” after saving Harry’s life. The film gives Hermione the kill — a shame for Ron’s arc.
Add Harry using the Elder Wand to repair his phoenix wand – The film ends with him snapping the Elder Wand (dramatic but illogical). The book’s quiet repair is more powerful.
Include Percy Weasley’s return – His apology and fight beside Fred add emotional depth before Fred’s death.
Don’t make Voldemort dissolve into confetti – A human death, leaving a body, underscores that he was mortal. The film’s ash-flake effect looks cool but weakens the message.
Let Harry call Voldemort “Tom Riddle” in the final duel – It’s a crucial psychological blow, rejecting Voldemort’s fabricated identity.
Keep Harry’s “I’ve seen what you’ll become” speech to Tom Riddle in the Pensieve – The film cuts Harry’s pity and moral clarity.
Show Neville killing Nagini in one clear shot – The film’s cutting between Neville and the fight is messy; book readers know it’s his finest moment.
Restore McGonagall’s duel with Snape – The film has Snape flee after a brief scuffle; the book’s three-way duel (McGonagall, Flitwick, Sprout vs. Snape) is brilliant.
Explain the Elder Wand’s allegiance clearly – Casual viewers are confused why Draco disarming Dumbledore matters.
Add the final conversation with Dumbledore in “King’s Cross” – The film trims it; the book’s discussion about mercy, choices, and the dead is the thematic core. To draft an article addressing the "20 fix"
Show the House elves charging under Kreacher’s lead – Kreacher’s redemption arc is robbed by cutting the Battle of Hogwarts’ kitchen scene.
Keep Harry casting Crucio on Amycus Carrow – It shows Harry’s righteous rage after Carrow spits on McGonagall. The film omits it entirely.
Include the “Resurrection Stone” explanation in the forest – Why Harry survives is glossed over; a single line about Lily’s protection living in Voldemort’s blood would suffice.
Show Fred’s death on-screen – Percy’s reaction is devastating in the book; the film gives Fred a blink-and-you’ll-miss-it death.
Restore Dudley’s goodbye (even a flashback) – Part 2 could have referenced the deleted Part 1 scene of Dudley thanking Harry.
Give Ginny more to do than a single battle spell – She’s a skilled duelist in the books; the film relegates her to background.
Add the epilogue’s original line “All was well” – It’s a simple, iconic closing that the film oddly avoids.
Remove the flying Voldemort-Harry hug-turned-fight – It looks silly and undercuts the emotional standoff in the Great Hall.
Final verdict: Part 2 is a visual marvel with powerful acting (Rickman, Radcliffe, and Fiennes at their best). But these 20 fixes — mostly restoring book moments — would have transformed it from a “good adaptation” into an “unforgettable masterpiece.” As is, it’s an 8/10. With these fixes, it’s an 11/10.
The finale of the Harry Potter saga, The Deathly Hallows – Part 2, is widely considered a cinematic triumph. However, even the most die-hard Potterheads admit that the jump from book to screen left some gaps. From missing backstories to head-scratching duels, there are ways the film could have been even more legendary.
Here is the ultimate "20 Fix" list for Harry Potter and the Deathly Hallows – Part 2 to make it the perfect adaptation. 1. The Elder Wand’s Proper End
In the film, Harry simply snaps the Elder Wand and tosses it off a bridge. In the book, he uses it to fix his own broken holly wand first, showing respect for his roots, before returning the Elder Wand to Dumbledore’s tomb. Fixing his own wand is a crucial emotional beat that was sorely missed. 2. Dumbledore’s True Backstory
The film skims over the "Life and Lies of Albus Dumbledore." We needed more context on his relationship with Grindelwald and the tragedy of his sister, Ariana. Without it, Harry’s feelings of betrayal by his mentor don't hit as hard. 3. The Final Duel in the Great Hall
In the book, the final showdown happens in the Great Hall, surrounded by friends and enemies. Harry explains Voldemort’s mortality to his face, stripping away the fear. The film’s private "flying smoke" duel felt less impactful than a public reckoning. 4. Voldemort’s Mortality
Voldemort should have died like a man, falling limp to the floor. By having him disintegrate into ash, the film inadvertently makes him look "magical" even in death, missing the point that he was just a mortal man in the end. 5. Dudley’s Redemption
A deleted scene showed Dudley Dursley shaking Harry’s hand and telling him he isn't a "waste of space." Keeping this in the final cut would have provided much-needed closure for the Dursley arc. 6. Wormtail’s End
Peter Pettigrew simply disappears from the movie. In the book, his silver hand—given by Voldemort—strangles him when he shows a momentary impulse of mercy toward Harry. It was a dark, poetic end that the movie ignored. 7. Kreacher Leading the House-Elves
One of the most stirring moments in the Battle of Hogwarts is Kreacher leading the house-elves into battle, shouting for "Master Regulus." Seeing the elves defend the castle would have been a visual and emotional powerhouse. 8. The Ravenclaw Common Room
In the book, Harry visits the Ravenclaw common room and encounters the Carrows. This sequence builds tension and shows more of the castle’s internal resistance, which was condensed in the film. 9. Percy Weasley’s Return
Percy’s estrangement from his family was a multi-book subplot. His return to fight alongside his brothers and his reaction to Fred’s death added a layer of family tragedy that the movie glossed over. 10. The Diadem’s History
The film makes finding the Diadem feel a bit like a scavenger hunt. A few more lines about the "Grey Lady" (Helena Ravenclaw) and her relationship with her mother would have made the Horcrux feel more significant. 11. Remus and Tonks’ Ending
We only see their bodies in the Great Hall. A brief scene of them fighting together or discussing their newborn son, Teddy, would have made their sacrifice feel more personal to the audience. 12. Neville and Grandma Longbottom
Neville’s growth is a highlight, but we missed the mention of his grandmother, Augusta, arriving at the battle and expressing pride in her grandson. It’s the final piece of Neville’s character arc. 13. The "Prince’s Tale" Extension
Snape’s memories are beautiful, but they could have included his brief friendship with Petunia Evans. This would have explained Snape’s deep-seated resentment toward the Dursleys and the entire Muggle world. 14. Fred Weasley’s Death Scene
Fred’s death happens off-screen in the film. Showing the actual moment—fighting alongside Percy and laughing just before the explosion—would have been devastating but necessary for the weight of the war. 15. The Gringotts Escape Logic
The dragon escape is iconic, but the movie ignores the fact that the Trio is technically "thieves" now. A moment reflecting on the weight of breaking into the world's most secure bank would have added stakes. 16. The Malfoys’ Hesitation
In the book, the Malfoys aren't fighting; they are wandering the Great Hall calling for their son. Showing them as a desperate, broken family rather than just "villains who walked away" adds more nuance. 17. Harry’s Discussion with the Portraits
After the battle, Harry goes to the Headmaster's office. The portraits of past headmasters, including Dumbledore, give him a standing ovation. It’s a moment of pure catharsis that was replaced by the bridge scene. 18. Ginny’s Character Strength
In the final film, Ginny is mostly a background love interest. Giving her a moment to showcase her prowess as a fierce fighter (as she is in the books) would have validated her and Harry’s relationship. 19. The Battle of the Teachers
In the book, McGonagall, Slughorn, and Kingsley Shacklebolt take on Voldemort together. Seeing the "Triple Duel" would have showcased the power of the older generation of wizards. 20. The Epilogue Styling
The "19 Years Later" scene is beloved, but the "aging" makeup was hit-or-miss. A more subtle approach to showing their maturity—focusing on their demeanor rather than just prosthetics—would have made the final scene feel more grounded.
By implementing these 20 fixes, The Deathly Hallows – Part 2 would transition from a great action movie to a flawless adaptation of the wizarding world's conclusion.
Title: The Resurrection Stone’s Echo: 20 Fixes for ‘Harry Potter and the Deathly Hallows: Part 2’
Introduction: A Near-Flawless Finale
Let’s be clear from the start: Harry Potter and the Deathly Hallows: Part 2 (2011) is a monumental achievement in blockbuster filmmaking. It delivered emotional closure, stunning visuals (Gringotts dragon, the Room of Requirement fire), and Alexandre Desplat’s haunting score. After eight films, it stuck the landing for millions.
But for book readers and obsessive re-watchers, the film is a collection of brilliant moments held together with fraying spellotape. In the rush to the finish line, director David Yates and screenwriter Steve Kloves made baffling cuts, puzzling changes, and one infamous character assassination.
Below are 20 targeted fixes—not to rewrite the film, but to repair it. These range from single lines of dialogue to entire scene restorations. Each fix addresses a specific wound in the final chapter.
The Big Structural Fixes
Fix #1: Restore the Full Backstory of the Elder Wand The film reduces the wand’s history to a 30-second Ollivander info-dump. Fix: Insert a 2-minute flashback during the “Prince’s Tale” montage. Show young Grindelwald stealing it from Gregorovitch, then Dumbledore defeating Grindelwald in their legendary 1945 duel. This makes Harry’s realization that the wand’s allegiance is fluid—and Dumbledore’s plan to die undefeated—land with actual weight.
Fix #2: The Prince’s Tale Needs 5 More Minutes The film’s version is beautiful but truncated. Add: Snape berating Phineas Nigellus for using the word “mudblood,” Snape saving Lupin’s life during the “Seven Potters,” and the crucial line: “Lately, only those whom I could not save.” Most critically: include Dumbledore’s plea—“After all this time?” / “Always.”—and the reveal that Harry must die willingly. The film glosses over that sacrifice being voluntary. Title: 20 Fixes That Would Have Made ‘Deathly
Fix #3: Voldemort’s Death – No Confetti, No Dust The film’s artistic choice (Voldemort disintegrating like ash) undermines the entire theme. Fix: As in the book, he falls as a mundane, broken human body. Harry and Tom circle each other in the Great Hall. Harry explains the wand’s allegiance in front of everyone. Voldemort’s body hits the floor with a thud. The silence that follows is the point: he was always just a man.
Fix #4: Harry’s Resurrection Walk – Add the Inner Monologue In the film, Harry walks to the Forest confused. Fix: As he walks, overlay a whispered montage of voices: “Your father’s coming back…” (Quirrell), “He’s gone, Harry” (Sirius), “He trusted Severus” (Dumbledore), “Take my body back” (Mad-Eye’s eye). Then silence. Then the Resurrection Stone figures speak to him, not at him.
Character-Specific Fixes
Fix #5: Ron Gets His Hero Moment (Destroying the Cup) In the film, Ron stabs the Horcrux… and that’s it. Fix: Restore the book’s version where Ron’s Parseltongue attempt is clumsy, desperate, and works. Hermione’s awed look, Ron’s relief, and the line: “That’s the second time you’ve saved my life” from Harry. Ron is not comic relief—he’s a tactician.
Fix #6: Ginny Weasley – Add Three Lines Ginny is a cardboard cutout in DH2. Fix: When Harry enters the Room of Requirement, give her the book line: “I know, I just wanted to… look at you one more time.” Later, during the final battle, add her fighting alongside Molly and Bellatrix. One shot of her dueling a Death Eater restores her agency.
Fix #7: McGonagall’s Full Command The film has her leading the defense, but omits her most badass moment. Fix: When Harry reveals he must find a lost diadem, McGonagall silences the room and says, “I’ve always wanted to use that spell.” Then she animates the suits of armor. Keep her final line to Voldemort’s voice: “He’s not alone… he never was.”
Fix #8: Fred’s Death – A Pause, Not a Cut The film rushes Fred’s death in the explosion. Fix: After the blast, show Percy shaking Fred’s body. Then cut to Ron and Hermione seeing it from a distance. Ron’s scream is silent under the score. Then cut to Harry’s face. Let grief sit for 10 seconds before moving on.
Fix #9: Lupin & Tonks – One Shared Look The film shows them dead on the floor with no context. Fix: During the final battle, give them a 3-second shot fighting back-to-back. Then later, Harry sees their bodies with Teddy’s orphaned status echoing his own. Add Harry whispering, “Remus… Dora…” It costs nothing and pays immense emotional dividends.
Dialogue Fixes (One-Liners That Change Everything)
Fix #10: Dumbledore’s “Of course it is happening inside your head…” The film includes the line, but rushes it. Fix: Pause after “Why would it be?” Let Harry smile. Then Dumbledore says warmly, “Of course it is happening inside your head, Harry. But why on earth should that mean it is not real?” Then fade to black. That’s the thesis of the entire series.
Fix #11: Molly’s “Not my daughter, you bitch!” – Restore the Setup The film delivers the line, but Bellatrix hasn’t just nearly killed Ginny. Fix: Show Bellatrix laughing as a curse flies past Ginny’s ear. Molly’s face shifts from fear to fury. Then the line. Then the duel. The line works because it’s earned.
Fix #12: Harry’s “I’m about to die” to Neville In the film, Harry just says, “Neville, something you need to know.” Fix: Harry grabs Neville’s arm and whispers, “The snake. It’s the last Horcrux. You have to kill it. No matter what happens to me.” This clarifies why Neville acts.
Fix #13: Voldemort’s “Why do you live?” – Add the True Answer After Harry survives the Killing Curse again, Voldemort shrieks “Why?” The film has no reply. Fix: Harry says calmly, “Because you’re missing something, Tom. Something you’ve never understood. It’s not about power. It’s about mercy and sacrifice. And you’ve never known either.”
Action & Sequence Fixes
Fix #14: The Escape on the Dragon – Don’t Cut Away The film cuts from the dragon flying over the lake to the trio in the forest. Fix: Keep them on the dragon’s back for 30 more seconds. Show them nearly falling, Ron clutching Hermione, Harry steering by pulling a spine. Then a hard crash-landing. It’s a transition, not a fade-out.
Fix #15: The Fiendfyre Sequence – Make It Understandable In the film, the Room of Requirement burns with little setup. Fix: Show Crabbe (Goyle in the film) casting the spell incorrectly. Harry shouts, “He doesn’t know how to control it!” Then show the fire taking shapes—serpents, dragons, wolves. Ron pulling Hermione up just before a fiery chimera strikes. Visual storytelling.
Fix #16: The Final Duel – Slow Down The film’s final Harry vs. Voldemort duel is a frantic chase around the courtyard. Fix: They should circle each other in the Great Hall, surrounded by the living and the dead. Every line of dialogue from the book (“Try for some remorse, Tom”) delivered face to face. Then simultaneous spells: Voldemort’s Killing Curse, Harry’s Disarm. The Elder Wand refuses to kill its true master. Voldemort’s own curse rebounds. He falls. Done.
Fix #17: The 19 Years Later – Remove the Obvious Aging The makeup is distractingly bad. Fix: Don’t age them at all. Just let Daniel Radcliffe, Rupert Grint, and Emma Watson play the scene as is, with slightly grayer hair and quieter voices. Audiences will accept it. The current makeup looks like a school play.
The Emotional Core Fixes
Fix #18: Harry Uses the Resurrection Stone BEFORE the Forest The film shows him finding it, then immediately cuts to the Forest. Fix: In the Forbidden Forest, Harry stops. He turns the stone three times. Then the ghosts of James, Lily, Sirius, and Lupin appear gradually, not all at once. Let Harry ask his mother, “Does it hurt?” Let her say, “Not as much as leaving you.” Then he drops the stone.
Fix #19: The “All Was Well” – Restore the Book’s Final Line The film ends with a shot of the trio at King’s Cross and a cut to black. Fix: After the train departs, cut to Harry’s face. He touches his scar. Nothing. He smiles. Then a title card: “All was well.” Fade to black. Credits. That’s the closure millions of readers waited for.
Fix #20: One Post-Credit Shot (No Dialogue, No Sequel Bait) After the final credits roll, a single 10-second shot: the Hogwarts Great Hall, empty and in ruins. A single house-elf (not Dobby, but another) places a small knitted hat on a fallen stone. Then a soft glow of sunrise. Black. End.
Conclusion: The Difference Between Good and Immortal
Deathly Hallows: Part 2 is a good film. But with these 20 fixes—totaling maybe 12 extra minutes—it could have been an immortal one. The material was all there in the book: emotional logic, thematic consistency, character payoffs. The film chose spectacle over stillness, pace over pathos.
These fixes aren’t about fan service. They’re about completing the arcs that J.K. Rowling so carefully built. A fallen Voldemort, a speaking Ron, a mourning Percy, a silent McGonagall, a sad Dumbledore, and an “all was well” that lands like a whisper.
Because in the end, the Boy Who Lived deserved a finale that lived as fully as he did.
What fix would you add? Or disagree with? Let’s debate in the comments.
The request for a "20 fix" regarding Harry Potter and the Deathly Hallows – Part 2 typically refers to a fan-led "rewrite" or "fix-it" paper that addresses common critiques of the film's conclusion. The following is a drafted paper outlining 20 structural, thematic, and character-driven "fixes" to align the film more closely with the source material and narrative consistency.
Redefining the End: A 20-Point "Fix-it" Paper for Deathly Hallows Part 2 I. Core Thematic Adjustments
The Mortal Death of Voldemort: Instead of dissolving into ash, Voldemort should fall as a "mortal man," as he does in the Harry Potter and the Deathly Hallows novel. This reinforces the theme that, despite his efforts, he was ultimately just human.
Repairing the Phoenix Wand: Before discarding the Elder Wand, Harry must use it to repair his own broken holly and phoenix feather wand. This vital scene from the book signifies Harry reclaiming his identity.
The Audience in the Great Hall: The final duel should take place in the Great Hall before a crowd. Voldemort’s defeat needs witnesses to symbolize the collective victory of the wizarding world over fear.
Dumbledore’s Portrait: Harry should visit Dumbledore’s portrait in the Headmaster's office to seek final closure and confirm the Elder Wand’s fate.
The Significance of the Deathly Hallows: More screen time should be dedicated to Harry realizing that mastering death means accepting it, rather than seeking invincibility. II. Character Arc Completion
For nearly a decade and a half, fans of the Wizarding World have engaged in a silent, collective ritual. It happens around the 2-hour-10-minute mark of Harry Potter and the Deathly Hallows Part 2. You’ve just survived the visceral terror of the Battle of Hogwarts. You’ve watched Harry shatter the Elder Wand. You’ve felt the catharsis of Voldemort’s ash-like demise. Then, the screen fades to white, and suddenly—19 Years Later.
Harry, Ginny, Ron, and Hermione are standing on Platform 9¾, looking like they just stepped out of a J.Crew catalog. Their children are generically adorable. Draco Malfoy gives a vague nod. And Albus Severus Potter boards the Hogwarts Express, worried he’ll be sorted into Slytherin.
For a specific, passionate subset of fans, this ending isn’t a conclusion—it’s a wound. This is where the search term “harry+potter+and+the+deathly+hallows+part+2+20+fix” comes into play.
If you have typed that string into Google—or if you are curious why thousands of people do every month—you are looking for the 20-minute fix. You are looking for the deleted scenes, the fan theories, the director’s cut rumors, and the narrative patches that repair the ending of the most successful wizarding film of all time.
This article is your complete encyclopedia for that fix. What was cut? Why does it feel wrong? And most importantly, how can you experience the real ending today?
In the book, Harry calls Lupin a coward for trying to abandon Tonks and their unborn child. The film removes this raw, human moment. The fix: A flashback or brief dialogue in the Room of Requirement where Lupin admits Harry was right. This adds weight to his death moments later.
During the final battle, when Voldemort’s forces are overwhelming the castle, the dragon — now partially healed, bearing scars but free — returns. It does not attack every Death Eater indiscriminately, but specifically targets those wearing Gringotts guard uniforms or those who tormented it. This creates a full-circle moment: the magical world’s oppressed creatures rise not for Harry, but for their own liberation, indirectly aiding the Order.