Kendrick Lamar - Somebody That I Used To Know -... -
The Ghost in the Machine: Kendrick Lamar’s History with “Somebody That I Used to Know”
In the early 2010s, Gotye’s “Somebody That I Used to Know” was inescapable. But while the world was humming that xylophone hook, Kendrick Lamar was busy transforming it into something entirely different. Whether through official remixes or unreleased leaks, the DNA of this track has haunted Kendrick’s discography for over a decade. 1. The Official Remix (2012)
Before good kid, m.A.A.d city changed everything, Kendrick jumped on an official remix with DJ Reflex . This version isn’t just a simple guest verse; Kendrick uses the haunting backdrop to paint a vivid picture of a relationship deteriorating through fame and changing priorities . The Vibe: Gritty and introspective.
Key Lyric: "Tried to make you mine / Tried to make some time / But I ain’t got the time or the patience to stop and wait in line". 2. The "Memories Back Then" Near-Miss
Perhaps the most famous "almost" in Kendrick's history is the track "Memories Back Then" with T.I. and B.o.B. Originally, the song featured a direct sample of Gotye’s hit, but clearance issues forced T.I. to remove it .
The Shift: The final version replaced the sample with a new melody to avoid legal trouble, though the "ghost" of the original arrangement remains in the song's structure. 3. The 2019 Leak: "Somebody"
Fans were sent into a frenzy when a Kendrick track titled simply "Somebody" leaked online in 2020. Recorded around 2019, the song features a vocal style Kendrick later refined for Mr. Morale & The Big Steppers.
The Evolution: While it doesn't sample Gotye directly, its chorus was repurposed for the powerful "Mother I Sober" . It explores his deepest fears—being "just a puppet on stage" and the worry that his art won't live forever. 4. The Modern Successor: Doechii’s "Anxiety"
The legacy of this sound continues today through Top Dawg Entertainment (TDE) labelmate Doechii. Her hit song "Anxiety" prominently samples the same instrumental from Gotye’s 2011 classic . This direct lineage shows how the "Gotye sound"—originally rooted in Luiz Bonfá's 1967 instrumental "Seville" —remains a staple in the TDE creative toolkit. Kendrick Lamar – Somebody That I Used to Know (Remix)
While there is no official song titled "Somebody That I Used To Know" by Kendrick Lamar
, the connection typically refers to his unreleased track "Somebody" or high-profile samples of the Gotye classic within his circle. 1. Kendrick Lamar's Unreleased Song "Somebody"
Kendrick has an unreleased track titled "Somebody" that reportedly surfaced as a leftover from his 2022 album Mr. Morale & The Big Steppers.
Leaks and Snippets: Fragments of this song have circulated on social media and fan forums like Reddit, often shared under titles like "Somebody | Unreleased | Part 1".
Themes: The lyrics are noted for their heavy, introspective tone, with Kendrick rapping about carrying "heavier hearts" like an Olympian powerlifter. 2. T.I.’s "Memories Back Then" (The Gotye Sample)
The most famous direct link between Kendrick and Gotye's "Somebody That I Used To Know" involves the song "Memories Back Then" by T.I., featuring B.o.B. and Kendrick Lamar.
The Original Sample: The original version of this track heavily sampled Gotye's "Somebody That I Used To Know".
Sample Clearance Issues: Due to legal trouble clearing the Gotye sample, the song was officially released with a new, original instrumental that mimicked the vibe but removed the direct Gotye elements. 3. Doechii's "Anxiety"
, an artist formerly signed to Kendrick’s label Top Dawg Entertainment (TDE), released the song "Anxiety," which prominently samples Gotye and Kimbra's 2011 hit.
Music Video: The video for "Anxiety" explicitly references the iconic Gotye music video style. 4. Fan Mashups
There are numerous popular fan-made remixes and mashups that blend Kendrick's vocals (such as from "Humble") with Gotye’s "Somebody That I Used To Know" backing tracks, often appearing on platforms like TikTok. I. collaboration?
The connection between Kendrick Lamar and Gotye’s hit "Somebody That I Used to Know" is a deep cut in hip-hop history that often resurfaces in fan circles.
Here is a look into the history, the "lost" version, and why it keeps popping up today. 1. The "Lost" 2012 Sample
The most significant link is a track titled "Memories Back Then," recorded in 2012 by featuring Kendrick Lamar, , and Kris Stephens .
The Original Vision: The song was originally built entirely around a sample of Gotye’s "Somebody That I Used to Know".
The Clearance Issue: Due to sample-clearance problems, they couldn't release the Gotye version on T.I.'s album Trouble Man: Heavy Is the Head. Kendrick Lamar - Somebody That I Used To Know -...
The Final Release: The beat was eventually reworked into a new, original production to avoid legal trouble, but the "Gotye Version" leaked online and is still considered by many fans to be the superior rendition. 2. The "Slight Work 5" Remix
A specific remix appeared on the 2012 project Slight Work 5. In this version, Kendrick delivers a notable verse that uses the "Somebody That I Used to Know" melody to tell a story about seeing an old flame who has "three kids and three baby daddies" and a car note that is overdue. 3. The Modern AI Resurgence
Recently, "Kendrick Lamar - Somebody That I Used To Know" has seen a second life on platforms like TikTok and YouTube due to AI-generated covers.
AI Covers: Creators use AI voice models to make Kendrick "sing" the entire Gotye song, which often goes viral because of how surreal the crossover sounds.
Confusion: These AI versions are frequently mistaken for official unreleased leaks, further confusing the history of the actual 2012 sample. 4. Kendrick’s Unrelated Track "Somebody"
Adding to the confusion, there is a legitimate unreleased Kendrick Lamar track titled "Somebody" (also referred to as "For Me") that leaked in 2020.
Kendrick Lamar - Somebody That I Used to Know (Remix) Lyrics
The Mystery of the Kendrick Lamar “Somebody That I Used to Know” Remix
If you’ve spent any time in the deep corners of Reddit or TikTok recently, you might have stumbled upon a track that sounds like a fever dream: Kendrick Lamar rapping over 2011 diamond-certified hit, “Somebody That I Used to Know.”
While it sounds like a modern AI experiment, the story behind this crossover is actually rooted in real musical history, unreleased leaks, and the ever-evolving world of fan mashups. 1. The Original 2012 Remix
Contrary to popular belief, Kendrick Lamar actually has an official connection to the song. Back in 2012, shortly after the release of good kid, m.A.A.d city , a remix surfaced featuring Kendrick alongside Gotye. The Lyrics:
Kendrick’s verse in this version focuses on the classic theme of a relationship turned sour, with lines like,
"You said I won’t ride until Kendrick drive a new Monte Carlo that cruise" The Sample: This specific version was later interpolated by for his track "Memories Back Then," which also featured and Kendrick. 2. The "Somebody" Leaks (2019-2021)
In recent years, "Somebody" has reappeared in Kendrick fan communities through various unreleased leaks. According to discussions on Reddit's Kendrick Lamar community , there are at least three distinct versions of this track: V1 (2019): A version that repeats a rap verse before the hook. V3 (2021):
A more polished version with a different beat and verses Kendrick later repurposed for a track titled "Abortion Money". The Beth Gibbons Connection: Some versions feature a hook sung by Beth Gibbons (of Portishead) rather than a direct Gotye sample. 3. The AI & Mashup Renaissance In 2024 and 2025, the track saw a massive resurgence on and YouTube due to the rise of high-quality AI.
I'm assuming you want me to generate a post on Kendrick Lamar's cover of "Somebody That I Used To Know" by Gotye, featuring Drake. However, I think there might be some confusion - Kendrick Lamar did not record a cover of this song. The original song was released by Gotye, featuring Kimbra, in 2012.
But, I can generate a post on a related topic:
Kendrick Lamar's Take on Collaboration: A Look at His Features
Kendrick Lamar is widely regarded as one of the most influential and innovative rappers of our time. With a career spanning over a decade, he has consistently pushed the boundaries of lyrical depth and musical experimentation. One aspect of his artistry that often goes unappreciated is his skill in collaborations. Kendrick Lamar has been featured on numerous tracks with other artists, bringing his unique perspective and style to their songs.
In contrast, the song "Somebody That I Used To Know" by Gotye, featuring Kimbra, was a huge commercial success, peaking at number one on the Billboard Hot 100 chart. Drake, on the other hand, has collaborated with Kendrick Lamar on several occasions, including the hit song "DNA." from Kendrick's album "DAMN."
If you're interested, I can write about:
- Kendrick Lamar's approach to collaborations
- His notable features with other artists
- A comparison of Kendrick's style with the style of Gotye and Drake
Let me know which direction you'd like me to take!
Here's a sample post:
Kendrick Lamar is a master of collaboration. His ability to elevate any track with his presence is a testament to his skill as a rapper and songwriter. While he hasn't recorded a cover of "Somebody That I Used To Know," his work with other artists is well worth exploring. The Ghost in the Machine: Kendrick Lamar’s History
From his early days with Dr. Dre and Snoop Dogg to his more recent collaborations with Taylor Swift and Thundercat, Kendrick Lamar has consistently demonstrated his versatility and adaptability. His features are always highly anticipated, and for good reason - he brings a level of intensity and passion to every track.
Drake, in particular, has collaborated with Kendrick on several occasions, resulting in some incredible tracks. Their chemistry is undeniable, and their songs together are always highly regarded.
While Kendrick Lamar hasn't put his own spin on "Somebody That I Used To Know," his body of work is a testament to his innovative approach to music. If you're a fan of Kendrick, Gotye, or Drake, there's plenty to explore in their respective discographies.
The connection between Kendrick Lamar and the 2011 hit "Somebody That I Used to Know" by Gotye featuring Kimbra primarily revolves around a 2012 collaboration titled "Memories Back Then," which originally featured a prominent sample of the track. The "Memories Back Then" Connection
In late 2012, T.I. recorded "Memories Back Then" featuring Kendrick Lamar, B.o.B, and Kris Stephens.
The Original Sample: The song was built around a direct sample of Gotye’s "Somebody That I Used to Know".
Sample Clearance Issues: Due to difficulties clearing the sample in time for T.I.'s album Trouble Man: Heavy Is the Head, the production was reworked to remove the Gotye sample.
The Final Version: While the official release uses a different instrumental, the original version with the Gotye sample leaked online and remains a popular "what-if" among fans. Lyrics and Themes
Kendrick Lamar's verse in "Memories Back Then" (often titled as a "Somebody That I Used to Know Remix" on lyric sites) explores the theme of changing social dynamics after achieving fame.
Storyline: Kendrick describes encountering a woman from his past—specifically a high school peer—whose life has taken a difficult turn while his own has ascended.
Key Lyrics: He raps, "Hold up, is that you? / With them big ol' thighs after school?" and contrasts his success with her overdue car notes.
Thematic Alignment: Kendrick’s narrative of looking back at a transformed person mirrors the core sentiment of Gotye's original chorus: the painful realization that someone who was once central to your life is now just "somebody that you used to know". Modern Samples and Influence
The influence of "Somebody That I Used to Know" continues to appear in the hip-hop world:
Doechii: The song "Anxiety" by Doechii (a former label mate of Kendrick at TDE) prominently samples the Gotye track.
Mashups: Because of the popularity of Kendrick’s unreleased "Memories Back Then" verse, many fan-made mashups exist on platforms like YouTube that place his vocals directly over the original Gotye instrumental. Somebody That I Used to Know (Remix) Lyrics - Genius
The intersection of Kendrick Lamar and Gotye’s 2011 diamond-certified hit "Somebody That I Used to Know" is a fascinating piece of hip-hop history. While many modern listeners might assume it’s a recent AI-generated mashup, the connection actually dates back over a decade to a specific remix and a shared lineage of samples that continues through Top Dawg Entertainment (TDE). The Official 2012 Remix
Shortly after Gotye’s original track dominated the charts, an official "Somebody That I Used to Know (Remix)" featuring Kendrick Lamar was released in 2012. Produced by The Blessings, the track appeared on the mixtape Slight Work 5.
In this version, Kendrick delivers a characteristically intricate verse that flips the original song’s themes of heartbreak into a gritty narrative about social status and changing dynamics:
The Narrative: Kendrick raps about a former acquaintance who only acknowledges him once he’s "poppin'".
Key Lyrics: He mocks the "overdue car notes" and "primadonna" attitudes of people who dismissed him before his fame, ending with a cynical "Fast forward, wait, is that you?".
The Sample: The remix keeps Gotye's iconic chorus but recontextualizes it to represent the distance between Kendrick and the people from his past. The TDE Connection: Doechii’s "Anxiety"
The "Somebody That I Used to Know" melody saw a major resurgence in the Kendrick-adjacent world with the release of "Anxiety" by TDE artist Doechii.
Direct Sampling: While "Anxiety" is often cited as sampling Gotye, both tracks actually share a foundational sample from Luiz Bonfá’s 1967 instrumental "Seville".
The Evolution: "Anxiety" essentially "copy and pastes" the atmospheric backing of the Gotye track, creating a modern rap-pop hybrid that has been highly successful on rhythmic radio. Unreleased Tracks and Leaks Let me know which direction you'd like me to take
Outside of the 2012 remix, there are several "leaks" frequently discussed in fan circles: Kendrick Lamar – Somebody That I Used to Know (Remix)
* Somebody That I Used to Know (Remix) * 2012. * The Blessings. [FRESH LEAK] Somebody V3 : r/KendrickLamar
It is important to clarify upfront: Kendrick Lamar has never officially recorded or released a song titled “Somebody That I Used to Know.”
If you landed on this page searching for that specific combination, you are likely experiencing a fusion of two massive cultural touchstones: the angst-driven indie pop anthem by Gotye (featuring Kimbra) from 2011, and the dense, psychologically complex hip-hop narratives of Pulitzer Prize winner Kendrick Lamar.
However, the search volume for this phrase suggests something deeper. Fans often conflate the theme of Gotye’s hit with several of Kendrick’s tracks—specifically, the gut-wrenching feeling of outgrowing a former version of yourself, or cutting ties with a toxic friend/lover. So, while the song doesn’t exist, the sentiment is central to Kendrick’s discography.
This article will explore three things:
- Why people think this song exists (the "Mashup Culture" phenomenon).
- Which real Kendrick Lamar songs serve as the spiritual successor to “Somebody That I Used To Know.”
- How to find the viral remixes that put this keyword on the map.
Why This Lyrical Mania Matters
The fact that 10,000 people a month search for “Kendrick Lamar - Somebody That I Used To Know” proves a cultural thesis: Hip-hop and indie rock are the same genre now.
Gotye wrote about being left behind. Kendrick writes about doing the leaving to save his soul. In 2024, we realized both stories are the same.
Kendrick does not need a feature with Gotye. He already wrote the response. It is called “Mother I Sober.” On that track, he breaks a generational curse. He looks at the terrified boy he used to be, nods, and walks into the light.
That is the real song. Go listen to it.
When Hip-Hop Meets Indie Angst: Kendrick Lamar and the Spirit of "Somebody That I Used To Know"
At first glance, Gotye’s 2011 minimalist breakup anthem and Kendrick Lamar’s dense, jazz-influenced rap epics live in different genres. But lyrically, both explore a universal wound: the painful realization that someone you loved has become a stranger.
3. Lyrical Deconstruction and Cadence
The most compelling aspect of the cover is Lamar’s manipulation of the source material. He does not simply sing the lyrics; he raps them. During the verses originally performed by Gotye, Lamar employs a staccato flow that emphasizes the internal rhymes of the lyrics, which are often glossed over in the original’s melodic drawl.
Phrases like "You didn't have to cut me off" are delivered with a percussive force that changes the subtext. In the original, these lines sound like a plea. In Lamar’s version, they sound like an indictment. He bridges the gap between singing and rapping, utilizing his signature vocal elasticity—bending notes, chopping syllables, and altering his pitch to convey frustration rather than sadness.
Furthermore, the performance includes ad-libs and improvised structuring that ground the pop song in hip-hop traditions. He treats the pop lyrics with the same rhythmic complexity he applies to his own intricate bars, elevating the source material from a radio jingle to a technical vocal exercise.
Themes and mood
- Loss and nostalgia: The song centers on mourning a past relationship and the quiet ache of remembering what once was. Memories are intimate but tinged with distance.
- Identity and change: Lamar reflects on how relationships shape self-perception; the title’s phrase suggests transformation—both in the other person and in himself.
- Regret and acceptance: Lines alternate between yearning for reconciliation and acknowledging irretrievable change, creating a tension between hope and resignation.
- Intimacy vs. estrangement: The emotional core is the contrast between intimate familiarity and the coldness of becoming “somebody that I used to know.”
2. The Sonic Shift: From Minimalism to Aggression
The original composition by Gotye relies on spatial dynamics; it is defined by its skeletal percussion, the unique timbre of the sampled Winton four-string guitar, and a vocal delivery that is breathy and resigned. The song feels like a memory fading into the ether.
Lamar’s rendition, backed by his touring band, inverts this dynamic. The tempo is accelerated, and the instrumentation is thickened with live bass and sharper, more urgent drumming. This sonic shift is crucial. Where Gotye’s version sounds like the melancholic aftermath of a breakup, Lamar’s version sounds like the heated argument that caused it. The band creates a soundscape that demands attention rather than passive listening, setting the stage for Lamar’s high-energy vocal delivery.
The Ghost of Familiarity: Kendrick Lamar and the Stranger Within
In Gotye’s 2011 hit “Somebody That I Used to Know,” the central anguish comes from waking up to find that a once-intimate connection has dissolved into cold indifference. The lyric—“You didn’t have to stoop so low / Have your friends collect your records and then change your number”—captures the paradox of memory: we remember someone perfectly, yet they no longer exist in the present. If we apply that lens to Kendrick Lamar’s discography, a different but equally haunting picture emerges. Kendrick’s music is less about romantic estrangement and more about the fractures between his past and present selves, between fame and poverty, and between the man he is and the city that raised him. In that sense, Kendrick Lamar has spent his career singing about people he used to know—including himself.
The Estranged Self: “u” and “i”
On To Pimp a Butterfly, Kendrick stages a raw conversation between his current, successful self and his depressed, guilt-ridden self. In “u,” he weeps in a hotel room, drowning in survivor’s guilt over a friend who died and a cousin he couldn’t save. The voice he addresses is his own: “Loving you is complicated.” By “i,” he flips to defiant self-love, but the tension remains. He has become somebody he used to know—the hopeful kid from Compton, the hungry rapper before the Pulitzer Prize. The gap between those versions of himself is as painful as any breakup.
The City as a Lost Lover: “good kid, m.A.A.d city”
Kendrick’s major-label debut is a concept album about losing innocence. The “somebody” he used to know is not a person but a version of his environment—before the peer pressure, before the van carrying Sherane’s cousins, before the drive-by. The album’s skits and voicemails from his mother ground the story in intimacy. By the end, when he raps “I pray my dick get big as the Eiffel Tower / So I can fuck the world for 72 hours,” the boy who just wanted a working stereo and a girl’s affection is gone. In his place is a scarred storyteller. Compton, too, becomes somebody he used to know: still beloved, still violent, but viewed from a tour bus rather than a back seat.
Friends, Enemies, and Ghosts: “The Art of Peer Pressure”
The most literal reading comes in songs like “The Art of Peer Pressure,” where Kendrick recounts committing crimes with friends who have since faded into prison, death, or estrangement. He raps, “Me and my nigga, we was scheming again / That’s all we knew, wasn’t nothing to it.” Those friends are now “somebodies he used to know”—not because of a dramatic falling out, but because survival and fame created an unspoken distance. The chorus of Gotye’s song insists, “We’re just somebody that we used to know.” For Kendrick, the tragedy is that both parties still remember the bond, but the context has rotted it away.
Conclusion: The Familiar Stranger
Kendrick Lamar has never covered Gotye, but their shared theme—the sorrow of recognition without reconciliation—runs through Mr. Morale & the Big Steppers. When he confronts his uncle for molesting him as a child on “Mother I Sober,” or when he addresses transphobia in “Auntie Diaries,” he is speaking to people he used to know: not as insults, but as acknowledgments of change. To write a song called “Somebody That I Used to Know” in Kendrick’s voice would not be a bitter kiss-off. It would be a quiet, bruised admission that growing up means accumulating ghosts—of places, of friends, of who you swore you would never become. And the hardest part is that you still recognize them in the mirror.