The recent leak of 117 unreleased tracks —many including high-quality original (OG) files—represents a massive digital archive of Kim Petras' career, spanning her transition from a viral German pop sensation to a global star. This collection acts as a "lost history," featuring early synth-pop demos, scrapped high-gloss eras like , and the original vision for Problématique The "Golden" Unreleased Tracks
Fans often cite these leaked tracks as superior to some of her officially released major-label content due to their "euphoric pop" hooks and vocal clarity. Standouts frequently mentioned in the community include: "Your Time To Cry" & "Move"
: Widely regarded by fans as potential chart-topping hits that could have defined an era if officially released. "Ocean" & "Push Push Push"
: Praised for showcasing Kim’s pure vocal range, often compared to the polished 80s-inspired vibe of Carly Rae Jepsen's E•MO•TION
: A fan-favorite that heavily interpolates Alizée's "Moi... Lolita," likely unreleased due to sample clearance hurdles. "Dark Part of Your Heart" & "Demolition"
: Represent the darker, more experimental synth-pop sound found in her earlier SoundCloud era. Era Highlights
: This unreleased album from around 2015 includes tracks like "Control," "Pressure," and "Choker." It features a bubblegum-pop aesthetic that many long-term fans feel was her most authentic sound. Problématique
: Before its surprise 2023 release, the leaked version of this album was considered a masterpiece of disco-pop. Fans often prefer the original leaked tracklist, which included songs like "Revelations" and "Hit It From The Back" before they were modified for Feed the Beast Critical Reception
The volume of this leak has sparked a debate about "bag fumbling" by her management and label. Critics and fans alike have noted that the quality of these unreleased demos often outshines her more recent, highly filtered releases. The presence of "OG files" is particularly significant for audiophiles, as it provides the highest possible fidelity for songs that were previously only available as low-quality snippets or live recordings. Summary Verdict
: For "Bunheads," this 117-track collection is a treasure trove that fills in the gaps of Kim's artistic evolution. While some tracks are clearly unfinished demos, the standout "lost hits" like "Your Time To Cry"
remain essential listening for anyone who misses Kim's "Era 1" sound. specific tracklist from one of her unreleased eras, like the original Problématique List of Unreleased Songs | Kim Petras Wiki | Fandom
While there is no formal academic paper with that exact title, the phrase refers to a massive unreleased song compilation and leak event within the Kim Petras
fan community. The "-117x Tracks" likely references a specific archival leak or fan-curated collection containing over 100 tracks, including OG files (original, high-quality master or studio files). Key Unreleased Collections & Projects
The "paper" or list you are looking for likely compiles tracks from these major scrapped or leaked projects:
Candy (Unreleased Album): A concept album recorded around 2021-2022 that was set aside for Feed The Beast. Key tracks include "Choker", "Pressure", "Control", and "Gimme Sum".
Problématique: Originally a full album scrapped due to label issues but later partially released/leaked. Remaining unreleased or demo versions of tracks like "Dance To Forget" and "Your Time To Cry" are highly sought after.
Era 1 & Early Demos: Tracks from her 2017–2018 period, such as "Push Push Push", "Shame On Me", and "Dark Part Of Your Heart".
A. G. Cook / PC Music Sessions: High-quality "OG" files often leak from sessions with producers like A. G. Cook and SOPHIE, including the track "Reason Why". Notable Leaked Track List (Partial)
Fans often maintain comprehensive lists on platforms like the Kim Petras Wiki, which currently tracks over 100 entries: "Alien" "Bang Kiss Bye" "Bittersweet Surrender" "Break the A.C." "California Rain" "Demolition" "Die For You" "Fade Away" "KIM KIM KIM" "Oceans" "Sweet Talk"
Many of these files are shared through Internet Archive collections or SoundCloud playlists labeled as "complete" unreleased sets. Kim Petras Unreleased -117x Tracks With OG Fi...
The "117x tracks" collection consists of unreleased songs from Kim Petras , notably stemming from the scrapped Problématique
eras that leaked in 2022. These high-quality files and demos, featuring projects in legal limbo, circulated widely after the artist encouraged fans to listen to them. Problématique | Kim Petras Wiki
The recent online surfacing of an archive containing 117 unreleased tracks by Kim Petras
, complete with high-quality "OG" (original) files, represents one of the largest leaks in pop music history. This massive collection offers a rare, behind-the-scenes look at the evolution of Petras' artistry, spanning her early days as an independent "BunHead" artist to her more recent major-label output under Republic Records Key Components of the Archive
The leaked collection is notable not just for its volume, but for the inclusion of master-quality files that allow fans to hear the music exactly as it was recorded in the studio. The "Limbo" Era
: A significant portion of the tracks dates back to the era of her shelved debut album, Problématique
, which Petras herself famously told fans to "listen to the leaks" of in 2022 when its release was stalled by her label. Collaboration Demos
: The files include early versions of tracks that eventually surfaced on her actual debut, Feed the Beast
, as well as high-quality demos of unreleased collaborations with artists like Paris Hilton Charli XCX OG Files & Stems
: Unlike typical low-quality snippets, these files are often "OG" masters, providing superior audio fidelity to previous bootlegs found on platforms like SoundCloud. Context and Significance
This leak arrives amid Petras' ongoing public frustration with her label, Republic Records
, where she has recently requested to be dropped to regain artistic control.
Kim Petras Demands to Be Dropped by Republic Records | TikTok
While there isn't a single official feature containing exactly 117 unreleased Kim Petras
tracks, fan-compiled collections on SoundCloud and Reddit often catalog her extensive vault, which spans multiple creative eras. These collections frequently utilize original file names or working titles from leaked sessions, such as the widely known Problématique material and early "Era 1" demos. Major Unreleased Tracks & Original Titles
The following tracks are frequently cited in comprehensive unreleased collections, often categorized by their intended era:
Era 1 & Early Demos: Many of these tracks feature the "OG" 2010s synth-pop sound Petras is known for.
Push Push Push: A high-energy fan favorite often paired with early leaks like Shame On Me.
Alien: An early unreleased standout with a runtime of approximately 3:37. The recent leak of 117 unreleased tracks —many
Choker & Control: Tracks often associated with the early development of what fans call the "Candy" sessions.
Break The A.C.: A recurring title in unreleased playlists, sometimes labeled as a demo.
The Problématique Vault: Before its surprise official release in 2023, this entire project existed as a massive leak with specific file names.
Dance To Forget & Keep It: Notable tracks from the original leaked version of the album.
Your Time To Cry: Frequently cited as a classic among her unreleased Problématique era work.
All She Wants (feat. Paris Hilton): Originally leaked before its official debut, often found with its OG file name in early tracklists. Collaborations & Snippets:
Sex Up For Fun (feat. Azealia Banks): A highly sought-after unreleased collaboration from the Clarity era.
Reason Why: A collaboration with SOPHIE and BC Kingdom that has circulated in various demo forms.
Young & Spoiled: Originally written by Petras, this track was eventually given to the K-pop group TWICE. Era Categorization
Fans typically organize these 100+ tracks by their original production cycle:
Era 1 (2017-2018): Oceans, Painkillas, Sweet Talk, Demolition.
Turn Off the Light Sessions: Time For Crime, and various instrumental acapellas like Massacre and Death By Sex.
Clarity / Feed The Beast Sessions: Move, Eat, Power, Roller Girl.
For a complete list of titles, fans often refer to the Kim Petras Wiki Unreleased List, which maintains a living document of all leaked and teased material.
Long rumored, now confirmed. Petras recorded a full German version of an unreleased track called "Plastik." The OG file shows she co-wrote it with her brother, and the lyrics discuss fame as a synthetic construct—years before "Plastic" became a theme in her work.
The file arrived on an ordinary Tuesday, buried in an anonymous USB that smelled faintly of ozone. Mikaela found it on the bench behind the vintage record shop where she worked; someone had propped open the back door and left a paper bag with two cassettes, a Polaroid, and the flash drive. The Polaroid showed a rooftop at dusk, neon bleeding into glass. On the back, in careful script: 117x.
She plugged the drive into the shop computer because curiosity was the only thing that could make her dreary afternoon sparkle. A folder named "OG Fi" blinked into being. Inside: dozens of files, each tagged "-117x" and dated in a pattern that made no sense—some with years, others just numbers: 001, 037, 117. The first file she opened was a voice memo: a delicate, impossible vocal, like someone walking barefoot across a glass piano. A name lingered in the harmonics—Kim—but that could be any name, or none at all.
Mikaela always loved things that felt like puzzles. She dumped the contents onto her old mixing board, fingers itching. The tracks were rough, candid—breath at the start of a chorus, laughter in a verse, a producer's voice whispering "again, softer." The music didn't want to be polished; it wanted to be remembered. There were traces of late-night sessions, cigarettes in coffee mugs, and a persistent, gentle defiance threaded through every bar.
Word travels fast when it's fed by whispers. By the next evening, the shop's backroom was full: a college DJ with sleeves of band patches, a retired radio host with a memory for obscure hooks, and Lena—the owner of the rooftop from the Polaroid—who had once ran lights for queer club nights downtown. They listened in the dim, faces lit by monitors and the glow of the streetlamp outside. "Coconuts" (OG Demo 1) – Before it became
"This is unreleased?" the DJ asked, like he already knew the answer but wanted the sound of someone else saying it aloud.
"No label, no metadata," Lena said. "But these vocal takes... they're raw. Whoever recorded this didn't think anyone would hear it."
They called the collection "117x" because the label repeated everywhere: scrawled on notes, stamped on a weathered notebook, hidden in a photo frame. It felt like a ghost sign—something left to be found.
The tracks became a rumor that grew teeth. People came to the shop to trade stories: an ex-engineer who swore one session had been the evening an important promise was made and then broken; a drag performer who hummed the chorus like a prayer; a street artist who painted quick, neon portraits while the songs looped in her headphones. They all claimed the music did one thing in common: it made them honest.
As the weeks passed, Mikaela noticed patterns. The unfinished bridges hinted at different directions—one raw vocal over ambient synth, another melody leaning toward a disco bassline. Hidden between the takes were messages, tiny vocal fragments that weren't lyrics so much as notes to a future self: "breathe," "start over," "tell them." Whoever had recorded the files had left scaffolding for songs that never had the chance to stand fully formed.
They debated what to do. Release them? Keep them secret? Sell them to the highest bidder? The shop's backroom had all the urgency of a courtroom delivering a verdict. Some argued that music belonged to listeners; others insisted unreleased tracks were private, like letters never meant to be read.
Mikaela had an answer that felt right to her: curate, not expose. She began with gentle edits—no auto-tune, no headline-grabbing reveals—just rebalancing levels and stitching a few takes into coherent pieces that honored the original breath and the blemishes. She assembled a short cassette: five tracks, collaged from different 117x files, and stamped a single word on the J-card: OG.
They distributed twenty copies, slipped into hands at midnight sets, taped to lampposts, and tucked into record sleeves at shows. Each cassette traveled like contraband in the city's pockets and jackets, seeded across neighborhoods. People who found a copy treated it like a message meant for their ear alone. Bars played it at last calls; rooftop parties folded its choruses into the night. It did what music is supposed to—made strangers feel less alone.
Not long after, a private message arrived on the shop's burner number. No longer anonymous, the sender wrote in fragments—thank you, be careful, don't sell. They signed only with a small star: *. The message said nothing about ownership. It was neither claim nor plea. It read like the relief of someone who had finally heard a piece of themselves acknowledged.
The tracks kept migrating. In basements and late-shift diners, people hummed the odd phrasing that had once been an abandoned bridge. A lyric tattooed itself onto a protest sign. A queer collective used a loop as the backbone of a benefit mix. The songs, once orphaned, folded into other people's stories.
Months later, when winter softened and the rooftop in the Polaroid was dusted with the first pale snow, Mikaela climbed up and laid the Polaroid on the ledge where the city could see it. She thought about secrets and stewardship and the permission to make music into something that saved you, if only for three minutes and forty-two seconds. She thought about the people who had left pieces of a life in a folder named 117x, trusting the world to find the right ears.
Someone called down from the street below as she descended. "Hey—did you ever find out who OG Fi is?"
She smiled, the kind that happens when a melody resolves itself finally, quietly. "Some songs don't need a name," she called back. "They just need someone to listen."
The tracks kept circulating—unclaimed, unmistakable, alive. And every time a new listener pressed play, a small unfinished thing finished a little more, until it belonged everywhere and nobody at once.
Before Petras added her vocals, Dr. Luke had recorded a reference track with a session singer. The OG file allows fans to hear the backing track evolution—from a trap beat to the final future-bass arrangement.
This is the heart of the leak. Following the official release of Clarity and Turn Off the Light, Petras was writing constantly. The OG files from 2018-2019 reveal over 40 unreleased songs produced by Dr. Luke, Made in China, and Vaughn Oliver. Highlights include:
In the sprawling, often chaotic world of pop music fandom, few names inspire as much fervent archival dedication as Kim Petras. The German-born, Los Angeles-based singer-songwriter has cultivated a hyper-loyal fanbase, affectionately named Pretty Perfect after her 2019 mixtape, not just through her official discography—which includes chart-topping hits like "Unholy" (with Sam Smith) and cult classics like "Heart to Break"—but through a vast, shadowy, and incredibly rich underworld of unreleased material.
For years, whispers on forums like Lanaboards, Reddit’s r/KimPetras, and Discord servers spoke of a "vault": hundreds of demos, alternate versions, and finished songs that never saw the light of day. Then, in waves starting from late 2022 and culminating in a massive 2024 dump, the internet witnessed something unprecedented. A collection now known as "117x Tracks With OG Files" surfaced.
This is not just a folder of random voice memos. This is a historical document, a parallel-universe discography, and a masterclass in how modern pop music is built—and then abandoned.