Kodak 5218 Kodak 2395 Lut Download 2021 -

  • Kodak 5218: This is Kodak Vision2 500T 5218, a high-speed tungsten-balanced color negative film (ISO 500). It was the predecessor to the famous Vision3 5219. It is known for its fine grain for the speed and warm tones.
  • Kodak 2395: This is the Kodak Vision Premier print film. It was a low-contrast, high-saturation print stock used for release prints. It is famous for having deep, rich blacks and a distinctive contrast curve that "pops" in the highlights.

Because Kodak 2395 is a print stock and 5218 is a negative stock, a "5218 to 2395" LUT typically emulates the full photochemical journey: recording on the Vision2 negative and printing onto the Vision Premier stock.

Part 6: DIY - How to Build Your Own LUT (No Download Needed)

If you cannot find a trustworthy "kodak 5218 kodak 2395 lut download," you can build the math in DaVinci Resolve using the Color Warper and Curves. kodak 5218 kodak 2395 lut download

The Manual Recipe:

  1. Saturation: Open the Saturation vs. Luminance curve. Reduce saturation in shadows to 30% and highlights to 50%.
  2. Contrast: Using a standard S-Curve:
    • Lift (Shadows): Down to -30 (crush).
    • Gamma (Midtones): Slight roll-off.
    • Gain (Highlights): Down to -10 (soft clip).
  3. Cross-Processing (Emulate 2395):
    • In Curves > Red: Pull the bottom left up slightly (warm shadows).
    • In Curves > Blue: Pull the top right down slightly (yellow highlights).
  4. Color Boost: Set to 50 (to desaturate evenly).

Save this as a PowerGrade, then export a LUT from the Color page (Workspace > Export > LUT). This gives you a personalized 5218/2395 look. Kodak 5218: This is Kodak Vision2 500T 5218

3.2 Third-Party & Community Emulations

Multiple colorists and LUT packages claim to emulate “5218/2395.” These are reverse-engineered or artistically designed. Because Kodak 2395 is a print stock and

1) Understand the two items

  • Kodak Vision3 5218 (aka 5218) — color negative camera film (ISO 250/200 push/pull options) with wide latitude and a characteristic color curve.
  • Kodak 2395 — an Eastman print film stock (often referenced as “2395 print film”); many film-look LUTs emulate the color and contrast characteristics of 2395 prints (not a camera negative).

Suggested starting presets (assumed defaults)

  • For standard contrast: use a 33-cube film-emulation LUT with mild +0.8 stop exposure compensation.
  • For punchy theatrical print: add +8–12% contrast, slight warm midtone lift, and a soft highlight roll-off curve.
  • Grain: 10–18% strength depending on resolution (higher strength for smaller sensor footage).

3.1 Kodak’s Official “Print Film LUTs” (Misconception)

Kodak historically provided KDM (Kodak Display Manager) LUTs for telecine suites (e.g., Spirit DataCine). These were not downloadable but built into hardware. For 2395, there is no public download of an official 3D LUT from Kodak.