Dutch jazz vocalist Laura Fygi has long occupied a unique space between sophisticated pop, Latin jazz, and traditional torch song balladry. By 2011, Fygi was already a well-established name in European and Asian audiophile circles, known for her warm, slightly smoky contralto and impeccable phrasing. The Best Is Yet To Come is not a new studio album but a carefully curated compilation spanning her work from the mid-1990s to the late 2000s. Released in CD and high-resolution digital formats, the 2011 FLAC version is particularly significant, as it caters directly to the high-fidelity market that Fygi’s lush, acoustic-driven sound so richly rewards.
The production values across these tracks are uniformly high. Arrangements lean heavily on real instruments: acoustic piano, brushed drums, double bass, and subtle strings or horns. The Latin tracks incorporate tasteful acoustic guitar and light percussion. Importantly, there is no overbearing reverb or synthetic padding. The sound is intimate—often you feel Fygi is singing from a few feet away in a small, wood-paneled club.
Laura Fygi’s voice is the main attraction. She is not a pyrotechnic virtuoso like Ella Fitzgerald nor a gravelly storyteller like Diana Krall. Instead, she occupies a middle ground—smooth, slightly breathy, with a touch of European cool. Her greatest asset is subtlety. She never shouts or scats excessively. Instead, she leans into melodic nuances and soft dynamic shifts.
On slower tracks like “I’ve Got You Under My Skin,” she stretches phrases almost to the breaking point, trusting the silence between notes. This can be mesmerizing for listeners who value restraint, though fans of more aggressive jazz singing might find her approach too polished or “easy listening.” Still, within the context of this compilation, her consistency is a strength.
If you own the CD, you can rip it to FLAC yourself (using Exact Audio Copy or dBpoweramp) and effectively have the same -2011- master. But if you only have an MP3 or an AAC stream, upgrading to Laura Fygi - The Best Is Yet To Come -FLAC- -2011- is a revelation.
The album is not about sonic fireworks or deep bass drops. It is about subtlety, nuance, and emotional truth. And those qualities are fragile—easily lost in lossy compression. Hearing Laura Fygi’s voice in FLAC is like removing a light fabric from a painting. The colors become richer, the brushstrokes clearer, the artist’s intent intact.
So, whether you are a longtime fan rediscovering the album or an audiophile hunting for the perfect vocal reference track, seek out the 2011 FLAC release. Because, as the song promises, the best is yet to come—and in lossless audio, it has already arrived.
Final technical note for archivists: The standard FLAC fingerprint for the 2011 CD release of The Best Is Yet To Come (T2 Entertainment, cat. no. T2CD 003) is 16-bit, 44.1 kHz, with a total length of 54 minutes and 12 seconds. Verify your file’s spectrogram in Spek; a genuine FLAC will show frequencies extending cleanly to 22.05 kHz (Nyquist limit). MP3 transcodes will show a sharp cut-off at 20 kHz or lower. Happy listening.
Released in 2011, The Best Is Yet To Come marks the 20th anniversary of Laura Fygi's solo career and is her 12th studio album. It is notable for being her first ever recorded session with a big band, moving away from her typical small-ensemble jazz and pop settings. Album Overview
Produced by Jan Menu and Johan Plomp, the album features 13 tracks of classic standards from the Great American Songbook. The arrangements are designed to evoke the classic big band era of Frank Sinatra and Peggy Lee. Release Date: January 1, 2011 Label: T2 Entertainment / Out Of The Blue Genre: Vocal Jazz / Pop
Format Quality: FLAC (Free Lossless Audio Codec) is a common high-fidelity format for this album, often found in 16-bit/44.1kHz quality to preserve the sultry, "velvety" nuances of Fygi's voice. The album consists of 12 standards and a bonus track: FYGI,LAURA - The Best Is Yet to Come - Amazon.com Music
Laura Fygi - The Best Is Yet To Come (2011) is a landmark release marking the 20th anniversary of Fygi's solo career. As her 12th studio album, it notably represents her first-ever full recording session backed by a complete Album Overview
The album features Fygi's interpretations of timeless jazz standards originally popularized by icons like Frank Sinatra, Tony Bennett, and Peggy Lee
. Recorded with a full-sized big band led by arrangers Jan Menu and Johan Plomp, the production captures a grand, classic sound that Fygi had long desired to capture on record. Frequently sought in FLAC (Free Lossless Audio Codec)
to preserve the rich, audiophile-grade detail of the big band arrangements. Mandarin Special:
The album includes a unique Mandarin-language bonus track, " Rose, Rose, I Love You Tracklist Highlights
The album delivers 13 tracks that blend smooth vocal jazz with high-energy big band swing. The Best Is Yet To Come (Title Track)
– A reimagined, softer version of the Charlie Chaplin classic. Too Darn Hot
– Features a scorching brass section inspired by the style of Buddy Rich. I've Got A Crush On You This Can't Be Love Cheek To Cheek
– Distinctly re-imagined as a "three-alarm blaze" rather than a simple Peggy Lee imitation. That Old Black Magic It's Easy To Remember You And The Night And The Music Old Devil Moon The Good Life Rose, Rose, I Love You (Mandarin Bonus Track) Why It's a Must-Listen
Reviewers highlight Fygi's ability to maintain her "feisty sense of self-reliance" while swinging easily through these grand arrangements. Her voice, often compared to Julie London
for its smoldering intensity, takes on a broader range in this big-band setting, making it a standout for fans of traditional vocal jazz and high-fidelity recordings. Further Exploration
Read a professional review of the album's vocal style and arrangements at View the full release credits and track durations on
Explore Laura Fygi's thoughts on the "storytelling" aspect of these songs on Amazon Music Laura Fygi's other jazz collaborations or where you can find her live performances Laura Fygi: The Best Is Yet to Come - JazzTimes
Released in 2011, The Best Is Yet to Come is the 12th studio album by jazz vocalist Laura Fygi. This record marks a significant milestone in her career, celebrating her 20th anniversary as a solo artist and serving as her first-ever recorded session with a full-sized big band. Album Overview
The album is a collection of jazz standards popularized by legends such as Frank Sinatra, Tony Bennett, and her primary idol, Julie London. Recorded in the Netherlands and released under labels like T2 Entertainment, the project fulfills a long-held wish for Fygi to record in a big-band setting after years of performing live with such ensembles.
Musical Style: Traditional big-band jazz and vocal pop, characterized by lush arrangements that draw comparisons to the classic 1950s and '60s works of Peggy Lee.
Production: Co-arranged and produced by Jan Menu and Johan Plomp, two of Fygi’s longtime collaborators.
Audio Quality: While originally released on CD, high-fidelity versions (such as FLAC) highlight the detailed instrumentation of the big band and Fygi's signature "husky" vocal texture.
The album features 13 tracks, including a unique Mandarin rendition of "Rose, Rose, I Love You". Song Title The Best Is Yet To Come Cy Coleman / Carolyn Leigh Smile Charlie Chaplin Too Darn Hot Cole Porter I've Got A Crush On You George & Ira Gershwin This Can't Be Love Rodgers & Hart Cheek To Cheek Irving Berlin Fever Cooley / Davenport That Old Black Magic Arlen / Mercer It's Easy To Remember Rodgers & Hart You and The Night and The Music Dietz / Schwartz Old Devil Moon Harburg / Lane The Good Life Sacha Distel / Jack Reardon Rose, Rose, I Love You Wilfrid Thomas / Chen Gexin Critical Reception
Critics have praised the album for its "smoldering intensity" and Fygi's sharp interpretive skills. Reviewers from JazzTimes noted that the big-band arrangements perfectly complement her sophisticated, seductive vocal style, making it a standout entry in her extensive discography. Laura Fygi: The Best Is Yet to Come - JazzTimes
The Best Is Yet To Come is the 12th studio album by Dutch jazz vocalist Laura Fygi
, released in February 2011 to celebrate her 20th anniversary as a solo artist. This project marks a significant milestone in her career as her first recorded session featuring a full-sized big band. Album Overview
Produced and arranged by her long-time collaborators Jan Menu and Johan Plomp, the album finds Fygi interpreting a selection of classics from the Great American Songbook. She chose songs originally made famous by her idols, including Frank Sinatra, Tony Bennett, and Julie London, focusing on tracks that allowed her to showcase her "storyteller" vocal style. The album was released through T2 Entertainment in the Netherlands and Universal Music
in Taiwan, where it included a Mandarin-language bonus track. Amazon.com
The standard release contains 12 tracks, while regional editions often include a 13th bonus track. Apple Music The Best Is Yet To Come Too Darn Hot I've Got A Crush On You This Can't Be Love Cheek To Cheek That Old Black Magic It's Easy To Remember You And The Night And The Music Old Devil Moon The Good Life Rose, Rose, I Love You (Mandarin Bonus Track) Amazon.com Critical Reception
Critics praised the album for its lush production and Fygi's "velvety" vocal delivery. Laura Fygi - The Best Is Yet To Come -FLAC- -2011-
noted that the big band setting allowed her to "swing easy" while maintaining her signature intimacy. Particular highlights mentioned by reviewers include the "scorching" brass line on "Too Darn Hot" and the reimagined, slow-burn version of "Fever". or more details on Laura Fygi's discography Laura Fygi: The Best Is Yet to Come - JazzTimes
This blog post highlights the 2011 release The Best Is Yet To Come by renowned Dutch jazz vocalist Laura Fygi , available in high-fidelity The Artist and the Album
Laura Fygi is celebrated for her sultry, sophisticated voice and her ability to seamlessly blend jazz, bossa nova, and traditional pop. Released in 2011, The Best Is Yet To Come
serves as a polished tribute to the Great American Songbook, featuring lush arrangements and Fygi's signature intimate delivery. Tracklist Highlights
The album features timeless standards and upbeat swing numbers, including: "The Best Is Yet To Come" – The titular track, delivered with playful elegance.
– A tender, emotive rendition of the Charlie Chaplin classic. "I've Got You Under My Skin" – A sophisticated take on the Cole Porter staple. "The Way You Look Tonight" – A romantic, smooth jazz interpretation. Audio Quality: Why FLAC? For audiophiles, the FLAC (Free Lossless Audio Codec)
version of this album is the preferred choice. Unlike MP3s, FLAC provides bit-perfect copies of the original CD, ensuring that every nuance of Fygi’s vocal texture and the crispness of the orchestral backing is preserved.
Whether you are a longtime fan of Laura Fygi or a newcomer to contemporary vocal jazz, The Best Is Yet To Come
is a essential addition to any collection. Its combination of high-production value and Fygi’s timeless charisma makes it a perfect soundtrack for a relaxed evening. similar to Laura Fygi or look for high-resolution audio sources for this specific album?
Laura Fygi: The Best Is Yet To Come – A Definitive Big Band Celebration (2011)
Released in 2011 to mark her 20th anniversary as a solo artist, "The Best Is Yet To Come" stands as a pivotal milestone in Dutch jazz vocalist Laura Fygi's storied career. While she has explored Latin, French chanson, and smooth jazz across her extensive discography, this album represents her first-ever studio recording backed by a full-scale big band.
For audiophiles and jazz enthusiasts seeking the highest fidelity, the album is frequently sought after in FLAC (Free Lossless Audio Codec) format to preserve the intricate textures of the brass arrangements and Fygi's characteristically smoky, intimate vocals. A Sophisticated Big Band Reimagining
Produced and arranged by her longtime collaborators Jan Menu and Johan Plomp, the album sees Fygi tackling iconic standards from the Great American Songbook. Rather than merely mimicking the legends who preceded her—such as Frank Sinatra, Tony Bennett, or her idol Julie London—Fygi brings a unique interpretive depth to the material.
Critical reception, such as reviews from JazzTimes, highlights her ability to "seduce cunningly" while maintaining a fierce sense of self-reliance, often drawing favorable comparisons to the legendary Peggy Lee. Key Tracks and Highlights
The album features 12 tracks (13 on certain international editions) that range from high-energy swing to melancholic ballads.
"The Best Is Yet To Come": The title track sets the tone with a confident, swinging arrangement that celebrates her two decades of success.
"Too Darn Hot": A standout performance where Fygi’s vocals ride atop a "scorching, brass-wrapped drum line" reminiscent of Buddy Rich.
"Smile": Reinterpreted with a touch of grey rather than simple optimism, showcasing her skills as a "storyteller".
"Fever": A distinct reimagining that escalates from a slow burn to what critics described as a "three-alarm blaze".
"Rose, Rose, I Love You": A special inclusion for her significant Asian fanbase, featuring lyrics sung in Mandarin. Album Specifications Laura Fygi – The Best Is Yet To Come - Discogs
Laura Fygi: The Best Is Yet to Come (2011) The 2011 album The Best Is Yet to Come represents a landmark moment in the career of Dutch jazz vocalist Laura Fygi, marking the 20th anniversary of her solo debut. Known for her sultry, "velvety" voice and multicultural heritage, Fygi transitioned from a 1980s pop career with the group Centerfold to become a globally recognized jazz icon. This release stands out as her first full-length recording backed by a traditional big band, fulfilling a long-held artistic ambition. Artistic Direction and Production
Produced and arranged by long-time collaborators Jan Menu and Johan Plomp, the album features a lush, expansive sound that pays homage to the mid-century swing era. Fygi’s approach on this record has been compared to the understated elegance of Julie London and the sophisticated swing of Peggy Lee.
Big Band Setting: The arrangements utilize a full-sized orchestra, providing a "scorching" backdrop for standards that Fygi had previously performed live but never captured in a studio big band setting.
Storytelling Approach: Fygi identifies as a "storyteller," choosing tracks from the Great American Songbook that allow her to convey deep emotional narratives, such as the heartbreak in "It’s Easy to Remember". Key Tracks and Highlights
The album's tracklist consists primarily of jazz and pop standards made famous by legends like Frank Sinatra and Tony Bennett.
"The Best Is Yet to Come": The title track sets an optimistic tone, showcasing the "unbridled enthusiasm" and "passion" of the studio sessions.
"Too Darn Hot": A high-energy performance supported by a brass-heavy drum line reminiscent of Buddy Rich.
"Smile": A softer, more contemplative interpretation that leans into a "clouded grey" atmosphere rather than pure optimism.
"Rose, Rose, I Love You": A notable inclusion featuring Fygi singing in Mandarin, reflecting her significant success and popularity in the Asian market. Technical Context (FLAC/Audiophile)
For enthusiasts seeking the -FLAC- (Free Lossless Audio Codec) version, this album is a prime candidate for high-fidelity listening. Critics have praised the "top-notch" musicianship, specifically highlighting individual solos like Hans Vroomans’ piano on "Old Devil Moon" and Maarten van der Grinten’s guitar on "That Old Black Magic". The lossless format preserves the intricate dynamics of the big band arrangements and the subtle nuances of Fygi's intimate vocal delivery. The Best Is Yet to Come: Amazon.co.uk: CDs & Vinyl
Laura Fygi's 2011 album "The Best Is Yet To Come" is a masterful blend of jazz, pop, and world music influences, showcasing the Dutch singer's incredible vocal range and emotional depth. The album, which features 12 tracks, including the iconic title track, is a testament to Fygi's enduring talent and dedication to her craft.
From the opening notes of the album's first track, "The Best Is Yet To Come," it's clear that Fygi is on a mission to deliver a memorable and impactful listening experience. Her voice, which effortlessly glides between sultry and soulful, is perfectly suited to the album's eclectic mix of styles. Whether she's interpreting a timeless standard or delivering an original composition, Fygi's vocal delivery is always characterized by its remarkable expressiveness and nuance.
Throughout the album, Fygi draws inspiration from a wide range of sources, incorporating elements of jazz, blues, and world music into her songs. The result is a richly textured sound that is both timeless and contemporary. Tracks like "Rain" and "Feelin' Alright" showcase Fygi's ability to craft memorable melodies and hooks, while songs like "Lover's Prayer" and "Clair de Lune" demonstrate her impressive vocal range and control.
One of the standout features of "The Best Is Yet To Come" is Fygi's incredible interpretive ability. Whether she's singing a familiar standard or an original composition, she always seems to find a way to make the lyrics her own. Her vocals on tracks like "The Nearness of You" and "It Don't Mean a Thing" are particularly noteworthy, as she brings a deep understanding and emotional resonance to these timeless classics.
The album's production is also noteworthy, with Fygi working with a range of talented musicians and producers to create a rich and immersive sound. From the lush orchestral arrangements on "Lover's Prayer" to the stripped-down intimacy of "Rain," the album's sonic landscape is varied and engaging.
Overall, "The Best Is Yet To Come" is a truly exceptional album that showcases Laura Fygi's remarkable talent and artistry. With its eclectic mix of styles, memorable melodies, and impressive vocal performances, it's an album that will appeal to fans of jazz, pop, and world music alike. As the title track suggests, the best is indeed yet to come from this gifted artist, but for now, this album is a must-listen for anyone who appreciates great music. Laura Fygi – The Best Is Yet To
Musically, the album can be characterized by:
The essay can be wrapped up with this thought:
Laura Fygi's "The Best Is Yet To Come" stands as a testament to her artistry and musical prowess. A must-listen for fans of jazz and beyond.
The Best Is Yet To Come (2011) in FLAC format is a high-fidelity representation of Laura Fygi’s sophisticated vocal jazz style. For archivists and audiophiles, this lossless version is the definitive digital edition, preserving every nuance of the original mastering. Casual listeners may find MP3 sufficient, but FLAC unlocks the album’s full sonic warmth—making it a valuable asset in any serious jazz or vocal pop collection.
Recommendation: If acquiring this FLAC release, verify the source (official download, CD rip with logs, or a reputable HD store) to ensure it is not a transcode from a lossy source. For playback, use a DAC and quality headphones/speakers to appreciate the lossless benefits fully.
End of Report
Laura Fygi - The Best Is Yet To Come -FLAC- -2011-: A Timeless Jazz Legacy
In the realm of jazz, there are few artists who have managed to captivate audiences with their unique blend of soul, sophistication, and timeless elegance. Laura Fygi, a Dutch jazz singer, is undoubtedly one of them. With a career spanning over two decades, Fygi has established herself as a leading figure in the jazz scene, and her 2011 album, The Best Is Yet To Come -FLAC-, is a testament to her enduring talent.
The Artistry of Laura Fygi
Born on June 20, 1961, in Amsterdam, Netherlands, Laura Fygi began her musical journey at a young age. Her early exposure to jazz and American music led her to develop a distinctive style that seamlessly blends traditional jazz with contemporary influences. Fygi's vocal prowess, characterized by her warm, velvety tone and impressive range, has drawn comparisons to jazz legends such as Ella Fitzgerald and Billie Holiday.
Throughout her career, Fygi has collaborated with numerous renowned musicians, including Chet Baker, Mulgrew Coleman, and Kenny Barron. Her versatility and adaptability have allowed her to navigate a wide range of musical styles, from traditional jazz and swing to blues and pop. This eclecticism is evident in her discography, which boasts an impressive array of critically acclaimed albums.
The Best Is Yet To Come -FLAC- -2011-
Released in 2011, The Best Is Yet To Come is a masterful collection of jazz standards and original compositions that showcase Fygi's interpretive skills and artistic depth. The album, available in FLAC (Free Lossless Audio Codec) format, offers a high-quality listening experience that faithfully reproduces the nuances of Fygi's performances.
The album's title, The Best Is Yet To Come, is a nod to the classic standard made famous by Frank Sinatra, which is also featured on the record. Fygi's rendition of this timeless song is a highlight of the album, with her expressive vocals and subtle phrasing imbuing the lyrics with a sense of longing and optimism.
The album's tracklist is a thoughtful curated selection of songs that demonstrate Fygi's mastery of jazz and her ability to reimagine classic material. From the opening notes of the album's first track, "The Nearness of You," it's clear that Fygi is on a mission to create a lasting musical legacy. Her performances on songs like "Let's Face the Music and Dance" and "I Can See Clearly Now" are characterized by their warmth, wit, and emotional resonance.
Musical Highlights and Collaborations
One of the standout features of The Best Is Yet To Come is the exceptional musicianship on display. Fygi is joined by a talented ensemble of musicians, including pianist Marnix Dissel, bassist Charles Diergaarde, and drummer Hans van Rijen. The chemistry between Fygi and her accompanists is palpable, with each musician bringing their unique perspective to the album.
A notable highlight of the album is Fygi's duet with guitarist Robben Ford on the song "The Best Is Yet To Come." Ford's distinctive playing style, which blends elements of jazz, blues, and rock, adds a new dimension to the album, and his interplay with Fygi is nothing short of magical.
Legacy and Impact
The Best Is Yet To Come -FLAC- -2011- has been widely praised by critics and audiences alike, with many considering it one of Fygi's finest works. The album's timeless appeal lies in its ability to evoke a sense of nostalgia while remaining firmly rooted in the present. Fygi's music has transcended generations, appealing to both longtime jazz enthusiasts and newcomers to the genre.
In conclusion, Laura Fygi - The Best Is Yet To Come -FLAC- -2011- is a must-listen for anyone who appreciates exceptional jazz and timeless music. With its exceptional sound quality, memorable performances, and enduring appeal, this album is sure to delight listeners for years to come. If you're a fan of jazz, or simply looking to explore the genre, The Best Is Yet To Come is an excellent starting point, and a testament to Laura Fygi's status as one of the leading voices in jazz today.
Technical Specifications:
Availability:
The Best Is Yet To Come -FLAC- -2011- is available for streaming and download on various online platforms, including Amazon Music, eMusic, and Google Play Music. For those who prefer physical media, the album is also available on CD and vinyl.
Here’s a suggested text suitable for a catalog, review, or personal music library note regarding Laura Fygi - The Best Is Yet To Come (FLAC, 2011):
Laura Fygi – The Best Is Yet To Come (2011, FLAC)
Dutch jazz vocalist Laura Fygi delivers a warm, sophisticated listening experience with her 2011 album The Best Is Yet To Come. True to its title, the record radiates optimism and timeless elegance, blending classic jazz standards with carefully chosen pop and bossa nova influences.
This FLAC version preserves the full richness of Fygi’s contralto voice—velvety, controlled, and intimately expressive. Backed by lush, unobtrusive arrangements, tracks like the title song “The Best Is Yet To Come,” “Bésame Mucho,” and “I Only Have Eyes for You” benefit from the lossless format’s clarity, revealing subtle instrumental detail (warm double bass, soft brushwork, delicate piano phrasing) that might be lost in compressed formats.
For audiophiles and jazz-pop enthusiasts, this 2011 release marks a confident, mature chapter in Fygi’s career—proof that even when revisiting classics, the best can indeed be yet to come.
Recommended for: evening listening, vocal jazz collections, FLAC-based high-fidelity setups.
Released in 2011, The Best Is Yet To Come is the 12th studio album by Dutch jazz vocalist Laura Fygi. It stands as a significant milestone, marking the 20th anniversary of her solo career.
While Fygi had explored various genres—including Latin, chanson, and pop—this album was a fulfillment of a long-term professional dream: recording with a full-sized big band. 🎶 The Musical Concept
The album is a high-fidelity tribute to the "Golden Age" of jazz, featuring sophisticated arrangements of Great American Songbook standards.
The Big Band Sound: Arranged and produced by Jan Menu and Johan Plomp, the settings were designed to recall the iconic collaborations of Frank Sinatra and Peggy Lee with legendary arrangers like Billy May.
Vocal Style: Fygi, often compared to Julie London for her "husky" and intimate tone, utilized this album to showcase a wider range and sharper interpretive skill than her previous, more minimalist works. 📜 The Tracklist Story
Every song on the album was selected because it held a personal meaning for Fygi, who considers herself a "storyteller" first. Final technical note for archivists: The standard FLAC
"Too Darn Hot": Fygi famously drew on her experiences performing in the intense heat of Asia to capture the essence of this Cole Porter classic.
"Rose, Rose, I Love You": A standout bonus track on certain editions, she performs this classic partially in Mandarin, a nod to her massive popularity in the Asian market where she is often hailed as a "Jazz Queen".
"Smile": A heartfelt rendition of the Charlie Chaplin standard, featuring a trumpet solo by Ruud Breuls. 💎 The Audiophile Connection Laura Fygi – The Best Is Yet To Come - Discogs
Laura Fygi: The Best Is Yet to Come (2011) Released in February 2011, The Best Is Yet to Come serves as a career milestone for Dutch jazz vocalist Laura Fygi. It commemorates her 20th anniversary as a solo artist and represents her first full-length recording with a traditional big band setup. 🎼 Artistic Direction and Production
For this 12th studio album, Fygi collaborated with co-arrangers and producers Jan Menu and Johan Plomp, both long-time members of her musical circle. The production choices were designed to evoke the classic "big band" era of the 1950s and 60s, drawing stylistic inspiration from icons like Peggy Lee, Frank Sinatra, and Julie London.
Big Band Setting: The album features a full-sized orchestra, shifting Fygi’s sound from her typical intimate jazz or Latin-infused arrangements to a more expansive, powerful swing environment.
Narrative Approach: Fygi describes herself as a "storyteller," choosing standards based on their emotional resonance and narrative depth. 🎹 Tracklist Highlights
The album comprises 12 tracks (13 in some international versions) primarily sourced from the Great American Songbook.
"The Best Is Yet to Come": The swinging title track sets a confident, upbeat tone for the collection.
"Smile": Reimagined with a "grey," more melancholic undertone rather than the usual optimistic delivery.
"Fever": A distinct reimagining that escalates from a "slow burn" to a high-energy orchestral climax.
"Too Darn Hot": Features a brass-heavy arrangement inspired by the high-velocity drumming of Buddy Rich.
"The Good Life": A slow-building ballad that evolves into an impassioned vocal vamp. 💿 High-Fidelity Experience (FLAC)
Digital editions of this album are frequently sought in FLAC (Free Lossless Audio Codec) format by audiophiles to preserve the intricate details of the big band orchestration. HiRes FLAC audio - TIDAL Support
Released in 2011, The Best Is Yet to Come marks a pivotal milestone in the career of Dutch jazz vocalist Laura Fygi
. Celebrating her 20th anniversary as a solo artist, this 12th studio album represents her first-ever full-scale recording with a big band, fulfilling a long-held professional ambition.
The album is a sophisticated homage to the Great American Songbook, featuring standards popularized by legends like Frank Sinatra, Tony Bennett, and her primary idol, Julie London. Musical Evolution and Big Band Sound
The Ensemble: Under the direction of co-arrangers and producers Jan Menu and Johan Plomp, Fygi is backed by a full big band that provides a rich, brassy texture distinct from her previous, more intimate jazz and bossa nova recordings.
Vocal Delivery: Fygi’s signature smoky contralto finds a natural home in these expansive arrangements. Critics have noted that while her style often draws comparisons to Peggy Lee, she maintains a "feisty sense of self-reliance" and sharp interpretive skills. Unique Interpretations:
"Smile": Reimagined with a more melancholic, "grey" undertone rather than its usual sunny optimism.
"Too Darn Hot": Driven by a scorching, brass-heavy drum line.
"Fever": Transformed from a "slow burn" into a high-energy "three-alarm blaze". Cultural Impact and Reception
Fygi’s deep connection with Asian audiences is a defining feature of her career. Reflecting this, the album includes a Mandarin bonus track, "Rose, Rose, I Love You". Following the release, she embarked on a major tour through China and Hong Kong, solidifying her status as a "continental" jazz icon who bridges Western standards with Eastern sensibilities. Tracklist Highlights The album features 12 essential standards, including: The Best Is Yet To Come Smile Too Darn Hot I've Got A Crush On You Cheek To Cheek Fever That Old Black Magic The Good Life
The Best Is Yet to Come is more than a retrospective; it is a demonstration of Fygi’s enduring versatility and her ability to command a large ensemble without losing the sultry intimacy that first made her a star in 1991. Laura Fygi: The Best Is Yet to Come - JazzTimes
Released in 2011 to mark her 20th anniversary as a solo artist, "The Best Is Yet To Come" is a landmark recording in Laura Fygi's discography. This 12th studio album represents a significant departure from her previous work, as it is her first full-scale big band recording. Album Overview & Recording
After years of performing with various ensembles, Fygi realized a long-held dream by recording with a full-sized big band led by Jan Menu and Johan Plomp, who also served as the album's co-arrangers and producers. The arrangements are designed to evoke the classic big band era, drawing comparisons to the legendary works of Peggy Lee, Frank Sinatra, and Julie London. Musical Style & Tracklist
Fygi, often described as a "storyteller" rather than just a vocalist, selected a repertoire of standards that allow her to express a range of emotions, from the celebratory to the melancholic. The album reached #28 on the Netherlands music charts and remained on the charts for five weeks. The standard tracklist includes: The Best Is Yet To Come (3:15) Smile (feat. Ruud Breuls) (3:35) Too Darn Hot (feat. Bert Boeren) (3:57) I've Got A Crush On You (feat. Jan Menu) (3:48) This Can't Be Love (feat. Ruud Breuls) (3:35) Cheek To Cheek (feat. Sjoerd Dijkhuizen) (3:53) Fever (3:55) That Old Black Magic (feat. Maarten van der Grinten) (4:17) It's Easy To Remember (4:51)
You and the Night and the Music (feat. Sjoerd Dijkhuizen) (3:26) Old Devil Moon (feat. Hans Vroomans & Bert Boeren) (4:23) The Good Life (feat. Sjoerd Dijkhuizen) (4:22) Rose, Rose, I Love You (Bonus Track - sung in Mandarin) Technical Quality: The FLAC Advantage
For audiophiles, the FLAC (Free Lossless Audio Codec) version of this 2011 release is particularly sought after. Unlike standard MP3s, FLAC provides a bit-perfect copy of the original CD audio, ensuring that the lush textures of the big band's brass and the intimate nuances of Fygi's vocals are preserved without compression loss. This high-fidelity format is ideal for showcasing the production work of Menu and Plomp, capturing the "live" energy of the studio session.
Critics have noted that Fygi’s voice, which "smolders with London-worthy intensity," is perfectly complemented by these sophisticated arrangements. You can find more details about her extensive career and other releases on her Official Discography. Laura Fygi: The Best Is Yet to Come - JazzTimes
Released in 2011, The Best Is Yet to Come marks a significant milestone in Laura Fygi's
solo career, celebrating her 20th anniversary as a solo artist.
This 12th studio album is her first full recording featuring a
, a long-held wish inspired by her live performances in Asia Musical Direction and Production
The album was produced and arranged by Jan Menu and Johan Plomp, long-time members of Fygi’s band. Critics have noted that the arrangements evoke the classic style of Billy May and Neal Hefti, placing Fygi in a sonic landscape similar to legends like Peggy Lee and Frank Sinatra.
Fygi, often described as a "storyteller," selected standards that resonated personally with her. The production highlights her sultry, velvety vocals, which have been compared to the intimacy of Julie London but with the "feisty self-reliance" of Peggy Lee. Standard Tracklist The album primarily features selections from the Great American Songbook The Best Is Yet To Come Too Darn Hot I've Got A Crush On You This Can't Be Love Cheek To Cheek That Old Black Magic It's Easy To Remember You And The Night And The Music Old Devil Moon The Good Life Rose, Rose, I Love You (Bonus track sung in Mandarin) Amazon.com FLAC and Audio Quality While the original release was on CD, the
version is highly sought after by audiophiles for its lossless quality, preserving the intricate "real music" nuances of the big band orchestration. Listeners have praised the passion felt in the audio, particularly the piano work of Hans Vroomans and the guitar solos by Maarten van der Grinten. where to purchase this album in high-resolution or a list of similar jazz vocalists Laura Fygi: The Best Is Yet to Come - JazzTimes