Benedict Anderson's "Mythology and the Tolerance of the Javanese" (1965) examines how traditional
shadow puppetry fosters a culture of social tolerance through the nuances of Javanese mythology. The work argues that the rejection of binary, good-vs-evil moralities in these performances encourages respect for human variety, though critics often weigh these findings against the political violence that occurred shortly after its publication. Read reviews and summaries of the work at Project MUSE Benedict R. O'G. Anderson, 1936–2015: A Bibliography mythology and the tolerance of the javanese pdf top
This is the quintessential Javanese philosophical myth. The warrior Bima searches for the water of immortality. He ventures into the ocean (the subconscious) and is swallowed by a giant serpent (the ego). Inside the serpent’s belly, he meets the tiny, divine Dewa Ruci (the microcosmic god). The lesson: Truth is found inside the self, not in conquering others. Consequently, the Javanese do not seek to convert or destroy those who are different; they seek to find the "god within" the other. Benedict Anderson's "Mythology and the Tolerance of the
The concept of tolerance in Javanese mythology is often analyzed through: which colonialists saw as laziness