Splice Sounds - Umru Sound Cache Vol 2 -wav- Link May 2026

The Hyperpop Blueprint: A Deep Dive into Umru's Sound Cache Vol. 2 The Estonian-American producer

(Estonian-American producer known for work with Charli XCX) has become a defining architect of the hyperpop sound. His sample pack, umru - sound cache vol 2 , released via Splice Sounds

, is a curated collection of the metallic, abrasive, and high-fidelity textures that have come to define modern experimental pop. Pack Overview and Contents

Released in early 2019, this pack expanded significantly on the first volume, offering a total of 641 samples Splice Sounds - Umru Sound Cache Vol 2 -WAV-

for Splice's Astra and Beatmaker tools. The collection is characterized by its "search engine optimized" sound—meaning every hit is designed to be punchy, clear, and ready to sit in a mix immediately. Key Content Breakdown: Drums (240 total):

Features 52 kicks and 65 snares, including "stomp kicks" designed for maximum impact and "crisp Trap snares". Synth & Melodic (140 samples):

A wide array of 808s (21), keys, bells, and unusual brass/woodwind textures. Percussion & FX (130 samples): The Hyperpop Blueprint: A Deep Dive into Umru's

Includes glitchy "corpus" effects, deep impact hits, and unique foley-style percussion like glass and tin hits. Vocals (72 samples): One-shots and processed vocal chops. Why It’s a Staple for Producers

Unlike many packs that provide generic loops, umru’s sounds are often pulled directly from his active production projects for artists like Charli XCX. This gives the pack a "battle-tested" quality, ensuring the sounds are functional in a song context rather than just sounding good in isolation. umru - sound cache vol 2: Hyperpop Sample Pack by Splice

Here’s a concise guide to Splice Sounds - Umru Sound Cache Vol 2 (WAV). What’s in the Cache

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What’s in the Cache?

The pack clocks in at just under 200 loops and one-shots, but the "quality over quantity" argument applies here. Umru has curated a collection that feels distinctly him—distorted, colorful, and impossibly loud.

Here is the breakdown of the folder structure:

• The 808s (The Star of the Show): Umru is famous for his 808s that are neither "trap" nor "techno." They are rubbery, saturated, and often clipped to perfection. Volume 2 introduces "Squishy Sub" and "Hard Clip Donk"—perfect for that Ericdoa or Glaive style bounce.
• Percussion (Metallic & Short): Forget long reverb tails. These kicks and snares are tight, transient-heavy, and sound like hitting a metal trash can with a wooden spoon (in the best way possible).
• Vocal Shards: This is where Umru shines. Instead of full melodies, you get chopped, pitched, and glitched vocal fragments labeled "Scream Texture" or "Vocal Laser." These are ready to drag into a sampler for instant hyperpop hooks.
• Melodic Loops (WAV): Clocking in at 24-bit/44.1kHz, the melodic content ranges from pitched-down music box melodies to synth brass stabs that sound like a dying PlayStation 2.

Contents

• Drum hits and loops: punchy one-shots (kicks, snares, claps, hats) and groove loops with varying tempos and humanized swing.
• Bass samples: sub-bass one-shots, modulated bass tones, growls, and distorted bass loops suited to low-frequency-heavy genres.
• Synths and textures: evolving pads, atmospheric beds, arpeggiated sequences, and glitched melodic motifs.
• FX and risers: impacts, sweeps, vinyl crackle, tape warble, and granular stutters for transitions and sound design.
• Vocal chops: processed vocal fragments and pitched phrases usable as melodic or percussive elements.
• MIDI/loops: tempo-labeled loops for quick integration; WAV stems for layering and processing.

Production Uses & Genres

• Suitable for: experimental bass, trap, lo-fi hip-hop, ambient, IDM, leftfield electronica, and cinematic scoring.
• Use cases: quick beat building, layering textural beds, crafting unique basslines, adding atmospheric transitions, and live performance sampling.

Sound Characteristics

• Textured and gritty: heavy use of saturation, tape emulation, and analog-modeled coloration.
• Experimental modulation: LFO-driven filters, bitcrushing, and sample-rate reduction appear across melodic and percussive elements.
• Organic imperfections: warble, jitter, and subtle timing variations that lend a human, lo-fi character.
• Low-end emphasis: many presets and samples focus on powerful sub-bass and resonant low-mid content.

3. Sound Design "Cheat Sheet" (How to use it)

Because umru’s sounds are so distinct, they function differently than standard sample packs.

• The "Tonal Percussion" Trick: Many of the percussion one-shots in this pack have distinct pitches. Instead of just dropping them on the grid, transpose them to match the key of your song. This turns a noise hit into a melodic bassline element.
• Reverb Tails: The tails on these samples are very specific. When using the FX sounds (risers/downlifters), try reversing them to create unique transition effects.
• Global Sidechain: Many loops in this pack sound best when you apply your own sidechain compression (using a kick drum as the trigger). This makes the loops "duck" and creates that signature bouncy Hyperpop rhythm.