Here’s a forum-style post you can use or adapt for a music sharing or discussion site (e.g., Reddit’s r/riprequests, a private tracker forum, or a Beatles community):
Title: [The Beatles – Revolver (2022 Super Deluxe)][FLAC 88.2kHz/24bit][5CD + 1BD]
Body:
Just got my hands on the 2022 Super Deluxe edition of Revolver, freshly upgraded to 88.2kHz/24bit FLAC (source: official high-res digital). Includes all 5 CDs + the Blu-ray audio (mixed to stereo, mono, Dolby Atmos, and instrumental takes).
Highlights:
Huge thanks to “upd” for the 88kHz sync & cleanup.
MEGA / Google Drive link (base64):
aHR0cHM6Ly9tZWdhLm56L2ZvbGRlci9FeGFtcGxlIw==
Torrent (FLAC 88):
[Revolver_2022_SuperDeluxe_88k_FLAC.torrent]
Enjoy while it’s hot — please seed if you grab the torrent.
The Beatles' Revolver (Super Deluxe Edition) , released in October 2022, is available as a high-fidelity digital collection featuring . While the standard hi-res digital release is typically 24-bit/96kHz , some specialized digital versions are distributed in FLAC 24-bit/88.2kHz The Rock Box Record Store Core Components
The Super Deluxe edition is organized into five distinct sections across the digital collection: The Rock Box Record Store New 2022 Stereo Mix
: 14 tracks remixed by Giles Martin and Sam Okell using Peter Jackson’s WingNut Films "de-mixing" technology. Sessions (Volumes 1 & 2)
: 31 tracks of previously unreleased session recordings, rehearsals, and demos that trace the album's creative evolution. Original Mono Master
: 14 tracks sourced directly from the original 1966 mono master tapes. Revolver EP
: 4 tracks featuring new stereo and original mono mixes of the "Paperback Writer" and "Rain" singles. Amazon.com Key Highlights & Features Technical Innovation
: The use of AI-driven de-mixing allowed engineers to separate individual instruments and vocals that were originally baked into single tracks, creating a more balanced and modern stereo field. Evolution of Tracks
: Includes "Yellow Submarine" songwriting work tapes that reveal its transition from a melancholic John Lennon folk demo to a boisterous singalong. Collaborative Packaging : The physical sets include a 100-page hardbound book
featuring a foreword by Paul McCartney, an introduction by Giles Martin, and an essay by Questlove. Mastering Quality
: The digital version is often praised for its "dead quiet" and clean top/bottom end definition compared to original stereo pressings. Digital Availability
The collection can be found on high-resolution platforms like , which offer lossless FLAC versions. Further Exploration Read a detailed track-by-track breakdown and review at The Guardian View technical mastering details and historical context at Abbey Road Studios Compare various physical and digital formats on the Official Beatles Store
The 2022 Super Deluxe Edition of The Beatles' Revolver represents a landmark moment in music history, not just for its content, but for the Machine Assisted Learning (MAL) technology that finally "unbaked" the original 1966 four-track recordings. For audiophiles seeking the highest fidelity, the digital collection is available in 24-bit/96kHz FLAC (though some sources mention 88.2kHz or 96kHz depending on the platform), offering a pristine look at the album's newfound clarity. The Technical Leap: Beyond Four Tracks
For decades, a modern stereo remix of Revolver was considered impossible because the original tapes often had multiple instruments—like drums, bass, and guitar—shackled to a single track.
AI De-mixing: Using MAL technology developed by Peter Jackson’s WingNut Films for the Get Back documentary, Giles Martin was able to isolate individual elements.
Unprecedented Clarity: This "digital alchemy" allowed for the separation of Ringo's kick drum, Paul's bass, and the "gritty" guitars, placing them with precision in a modern stereo soundstage for the first time. Super Deluxe Highlights
The Super Deluxe package is a comprehensive archive of the band’s most experimental era:
By The Audio Archivist
In the pantheon of popular music, few albums have triggered a paradigm shift as seismic as Revolver. When The Beatles retreated to Abbey Road’s Studio Three in 1966, they didn’t just cut a record; they detonated a sonic grenade that changed pop production forever. Fast forward to 2022, and the Revolver 2022 Super Deluxe reissue has given this classic its definitive digital crown. For the discerning listener, the phrase "FLAC 88 upd" (referencing the 88.2 kHz / 24-bit high-resolution audio update) has become a rallying cry.
But what makes this specific release worthy of a deep dive? Why 88.2 kHz instead of the standard 96? And is this truly the last word in listening to "Taxman," "Eleanor Rigby," and "Tomorrow Never Knows"? Let’s tear down the tape.
Yes if you:
No if you:
⚠️ No official 88.2 kHz release exists – so proceed with caution if sourced from unofficial channels.
The 2022 Revolver Super Deluxe Edition is a masterclass in archival restoration. It respects the original artistic intent while utilizing modern technology to fix decades-old audio issues. the beatles revolver 2022 super deluxe flac 88 upd
If you are listening to the FLAC 88 kHz version, ensure you have a decent Digital-to-Analog Converter (DAC) or high-quality studio monitors/headphones to appreciate the difference. The low-end extension on "She Said She Said" and the vocal clarity on "Here, There and Everywhere" justify the file size.
Whether you are a lifelong Beatlemaniac or a new listener exploring their discography, this is the version of Revolver to hear. It turns a classic album into a living, breathing studio session.
Note: This review focuses on the audio quality and content of the official 2022 release. We encourage readers to support artists and rights holders by purchasing music through official channels.
They found the box on a rainy Tuesday, tucked between a stack of cracked vinyl and a thrift-store copy of a Beatles anthology. The label on top read, in a neat, typewritten hand: Revolver — 2022 Super Deluxe — FLAC 88 UPD. No price. No explanation. Only a faint sticker with a single digit: 7.
Mara bought it for three dollars and the thrill of mystery. At home she carried the heavy package like contraband into her studio apartment, set it on the kitchen table, and fed the FLAC files into an old DAC she’d rescued from a flea market. The playback screen blinked “88.2 kHz” and a flutter of static; then, like someone turning the lights on in a dark room, the music poured out.
It was Revolver, of course: the hum of Ringo’s brushes, Lennon’s voice leaning back on the beat, McCartney’s bass walking like a cat. But over the record—under it, behind it—was something else: threads of sound that didn’t belong to 1966. A far-off radio tower tuning between stations. A child singing a lullaby in a language Mara couldn’t name. A telephone ringing twice and never being answered. Between the lines of “Taxman” there were rain samples from a storm she knew by name; beneath “Eleanor Rigby” a violin that shivered in a tuning no modern orchestra would use.
Curiosity turned to obsession. Mara compared the FLACs to every official release she could find. The 2022 Super Deluxe box had extra discs—alternate takes, restored tape hiss, an essay on the remastering—but the files in her strange package matched none of these. “UPD” in the filename could mean updated, she thought. It could mean unauthorized. It could mean underground. The more she listened the more she felt the music rearrange itself, as if revealing a different architecture to anyone patient enough to hear.
On the fourth night, after hours with headphones and scribbled timestamps, she isolated a passage buried in “I’m Only Sleeping”: a five-second acoustic loop that, when slowed to one-third speed, revealed a spoken line. The voice was thin and tremulous: “If you listen long enough, they’ll tell you where they went.” The recording folded back into the song as if nothing had happened.
She started to dream of maps—hand-drawn coastlines and chalkboard diagrams of sound. Her notes filled with coordinates that seemed to point everywhere and nowhere: a pier in Liverpool, a museum in Tokyo, a gas station off the interstate. Each place tied to a patch of audio she’d peeled out: a busker’s whistle, a train’s pneumatic sigh, a deli’s bell. The package, she realized, was anchoring a history of small, private moments superimposed on public music. Someone had threaded these ordinary sounds into the grooves, like breadcrumbs.
Mara reached out online. She posted spectrogram images to a forum of audiophiles and archivists, careful not to advertise where she’d bought the box. Replies came in fragments: a username that liked old mastering errors, a curator who mentioned a similar thing appearing in a cache of mislabeled pressings, a user who wrote simply, “UPD stands for ‘unplugged departures’—it’s a tag we use when tapes contain A/B sessions and location recordings.” No one could explain the child’s lullaby.
On night ten, the package answered back.
The display on her DAC blinked—once, then twice—though nothing on her computer had changed. The speakers hummed, not with music but with a low-frequency tone that curled at the edges of hearing. Mara touched the file list and watched, in the dark, as a new file appeared: REV-OUTTAKE-7.BIN. Its creation date was that afternoon. She hadn’t copied anything in. Her pulse rose. She clicked play.
At first there was only silence. Then a door opened; a hallway, footsteps—three feints and one long. A voice, older than the tapes, said a name she had only ever seen on the cover of her first Beatles compilation: “George.” The voice was not Harrison’s. It was younger, tentative, a man practicing lines for a radio play. He recited domestic minutiae: gardening tips, the taste of a new cigarette brand, the name of a dog. Then the audio tilted, and behind the voice, like a curtain pulled aside, she heard something impossible: the Thames at midnight, a boat motor muffled by fog, and under everything, slivers of studio chatter—references to “the circle” and “no lights.”
When the file ended, Mara was certain of a conspiracy that never would have fit in any detective novel: the band had recorded not only songs but a network of memory, a palimpsest of places threaded through takes. These were not just outtakes; they were coordinates, encoded inside sonic artifacts to be discovered decades later by someone tuned to the right frequency.
She followed the clues. The coordinates in a spectrogram, once converted, matched a disused pier near the city’s industrial river. There she found a rusted locker with the number 7 painted on its door. Inside: an old DAT tape, spooled tight, labeled in handwriting that matched the thrift-store typewritten note. The DAT contained nothing but quiet—except at the very end, when a voice whispered, “We left it where sound hides.”
The internet offered theories. Some said it was an art prank, part of an alternate-reality game staged by a postmodern label. Others said the files were forged, stitched by someone who had access to high-res stems and a lot of free time. A small, devoted faction claimed the package was a treasure—an archive of private life embedded into music to evade censors or market forces: a way to scatter memory in a format listeners would safeguard.
Mara stopped asking which theory was true. She cared only that the music altered how she moved through the city. Subway announcements overlaid with brass from “Eleanor”; a street performer’s harmonica took on a McCartney lilt. People she’d never met seemed to appear in her life along the routes the files implied—an elderly woman with mud on her hands who hummed a verse and then stopped, a repairman who had once worked in a studio and left a spool behind.
One afternoon she traced a lullaby sample to a neighborhood library. The archivist there, a man named Felix, kept odd hours and stranger tastes. He didn’t ask how she knew; he produced a slim, leather-bound notebook that matched the aesthetic of the typewritten note. Inside, in a looping hand, were pages of minutiae: lists of field recordings, dates, descriptions—“Child in Bombay/1973/aftermarket radio” — and, scrawled at the back, “Revolver: vessel.” Felix looked up and said, “They hid their lives in songs because songs get kept.”
There was a moral to that, if morals can inhabit mysteries: music as a vessel for things too small for histories. Mara realized the UPD package was less a lost edition of an album than an invitation to attend to the world. The Beatles’ Revolver—this immortal artifact—had become a scaffold for individual memory, stamped with a postscript that said, in effect, keep listening.
She kept listening. The files continued to surface in odd places: posted anonymously to an FTP server; slipped into the pocket of a secondhand jacket; mailed in a plain envelope with no return address. Each one yielded a fragment: a grocery store’s fluorescent buzz, the clop of a tram in Prague, a man listing the names of birds as if counting prayers. Sometimes the fragments made no sense; sometimes they resolved into small, brutal epiphanies: the moment when a son forgives his father out of pure fatigue; a woman discovering a poem she’d written years before.
Years later, when the rain had become a pattern she could map against the tracks that had sent her searching, Mara met another listener at a forum meetup. He placed on the table a compact disc, a modern crystal disc pressed with no label. She recognized the same neat typewriting as the thrift-store note. He smiled. “We never agreed on what UPD stands for,” he said. “But it changed how I hear my morning commute.”
They listened, together, through the night, and the music—old and new, cleaned-up and stained with stray life—made a map that neither of them could fully read. It did what music had always done: carried them somewhere else for a little while, offered company in the dark. The box, the files, the scattered recordings remained, quietly, like a secret society inscribed in sound.
Outside, the city kept happening: buses arriving, neon flickering, a dog barking twice then once. Inside the apartment, Revolver played and played, and in the spaces between the notes, someone at some point—maybe long ago, maybe tomorrow—had left a small, private thing, hidden where it would be kept: folded into a song, waiting for someone to find it and remember.
The Beatles' Revolver 2022 Super Deluxe edition represents a monumental restoration of what many consider the band's greatest creative peak. This expanded release utilizes groundbreaking AI-driven "de-mixing" technology to offer fans a level of sonic clarity previously impossible for a four-track recording from 1966. Technological Breakthrough: The MAL Advantage
The centerpiece of the 2022 reissue is the new stereo mix by Giles Martin and Sam Okell. Because the original Revolver was recorded on four-track analog tape, multiple instruments (like bass and drums) were often baked into a single track, leading to the "wonky" hard-panned stereo mixes of the 1960s.
To solve this, Martin used MAL (Machine Assisted Learning), a de-mixing technology developed by Peter Jackson’s team at WingNut Films. This software allowed engineers to isolate individual elements—such as Paul’s bass from Ringo’s drums—creating a "panoramic" soundstage where the band is spread across the speakers rather than bunched on one side. Audio Specifications: High-Resolution FLAC
For audiophiles, the digital release provides the ultimate listening experience through high-resolution formats.
The Beatles - Revolver Special Edition Super Deluxe 4LP + 7” Box Set
The Beatles Revolver 2022 Super Deluxe Edition was released on October 28, 2022, featuring a total of 63 tracks across various formats. The digital high-resolution version is officially available in 24-bit/96kHz FLAC quality from platforms like HDTracks. Core Content Summary
The Super Deluxe collection is organized into five distinct sections (or CDs/LPs): Here’s a forum-style post you can use or
New 2022 Stereo Mix: A complete remix of the original 14-track album by Giles Martin and Sam Okell, using Peter Jackson’s Wingnut Films de-mixing technology for enhanced clarity.
Revolver Sessions (2 Discs): 31 tracks of previously unreleased session outtakes, rehearsals, demos (including John Lennon’s home demos), and studio chatter.
Original 1966 Mono Mix: A high-resolution transfer of the original mono master tapes.
Bonus EP: Includes new stereo remixes and original mono masters of the non-album single "Paperback Writer" and "Rain". Notable Tracks & Highlights
Released on October 28, 2022, the Revolver (Super Deluxe Edition) is the definitive high-fidelity collection of The Beatles' landmark 1966 album. The digital version, often available via platforms like HDtracks, features 63 tracks in uncompressed Hi-Res audio, typically provided at 24-bit/96kHz FLAC or 24-bit/88.2kHz depending on the source. Core Contents & Audio Features
The Super Deluxe set is structured across several thematic "discs" or volumes:
New 2022 Stereo Mix: A complete remix of the 14 original tracks by Giles Martin and Sam Okell. It uses "de-mixing" AI technology to separate individual instruments from the original four-track master tapes, allowing for a more immersive and centered soundstage compared to the hard-panned 1966 stereo version.
Original Mono Mix: A high-resolution transfer of the original 1966 mono master tape, which was the version The Beatles were most involved in creating.
Sessions & Rarities: 31 tracks comprising early takes, rehearsals, and demos that reveal the album’s evolution. Highlights include:
"Tomorrow Never Knows" (Take 1): A starkly different early version of the psychedelic closer.
"Yellow Submarine": Songwriting work tapes featuring John Lennon’s early, more melancholy acoustic version.
Revolver EP: New stereo mixes and remastered original mono mixes of the non-album single "Paperback Writer" and "Rain". The Beatles – Revolver (Super Deluxe) - Discogs
Title: 🎧 Finally Listening to the 2022 Revolver Super Deluxe (FLAC 88/24) – Is This the Definitive Version?
It only took 60 years, but it feels like we finally have the version of Revolver we’ve always deserved.
I finally sat down with the 2022 Super Deluxe mix (FLAC 88.2kHz/24bit), and honestly, the difference is night and day compared to the 2009 remasters. We all know the story—Giles Martin and Sam Okell went back to the original four-track tapes and stripped away the need for the old-school, narrow stereo panning that used to throw vocals hard right and instruments hard left.
What stands out to me:
The Verdict: If you’re still listening to the 1987 CDs or even the 2009 remasters, you are missing half the picture. This mix feels less like a "remaster" and more like the band is playing in the room with you.
Discussion: For those who’ve grabbed the high-res files, which track blew your mind the most with the new mix? I’m obsessed with the acoustic guitar texture on "Here, There and Everywhere."
#TheBeatles #Revolver #Audiophile #FLAC #GilesMartin #HiResAudio #VinylCommunity
Introduction
The Beatles' "Revolver" is widely regarded as one of the greatest albums of all time. Released in 1966, it marked a significant turning point in the band's career, showcasing their growing experimentation and innovation. The 2022 Super Deluxe edition celebrates the album's legacy with a meticulous reissue, featuring a stunning new mix, extensive liner notes, and a wealth of previously unreleased material.
Package Contents
Audio Specifications
Disc 1: Revolver (Stereo Mix 2022)
Disc 2: Revolver (Mono Mix 2022)
Disc 3: Sessions
Disc 4: Revolver (Deconstructed)
Blu-ray (Optional)
Additional Features
Reissue Credits
Conclusion
The 2022 Super Deluxe edition of The Beatles' "Revolver" is a must-have for any fan, offering a rich and immersive experience that showcases the album's timeless music in a whole new light. The stunning new mix, extensive liner notes, and wealth of previously unreleased material make this a truly definitive edition.
The Beatles' Revolver 2022 Super Deluxe Edition is a massive 63-track deep dive into the band's psychedelic peak. While the standard high-resolution digital release is typically delivered in 24-bit / 96kHz FLAC, some "88.2 kHz" (or "88") versions appear on specific high-end audio platforms or through custom upsampling/downsampling by audiophile communities. 💿 Technical Breakdown & Audio Specs
Primary Resolution: The official hi-res digital release is 96kHz / 24-bit FLAC.
The "88.2" Variation: An 88.2 kHz version is often a result of MQA-to-FLAC conversion or specific vendor mastering (like HDTracks or Qobuz). It remains a lossless, high-fidelity experience preferred by those with equipment optimized for multiples of 44.1 kHz.
AI De-mixing: This release utilized Peter Jackson’s WingNut Films "MAL" technology to separate instruments that were originally "baked together" on the 1966 four-track master tapes. 🎼 Content Highlights
The Super Deluxe set spans five discs (or their digital equivalent): The Beatles Revolver 2022 VINYL Box Set Unboxing
The Beatles Revolver 2022 Super Deluxe edition represents a landmark moment in music restoration. This release brought one of the most influential albums in history into the modern era using cutting edge technology. When the original album was recorded in 1966, the four track recording process limited how instruments could be placed in a stereo field. For decades, fans had to choose between the punchy original mono mix or a wide, sometimes awkward stereo version. The 2022 update changed everything.
The centerpiece of this project was the use of machine learning audio restoration technology developed by Peter Jackson’s team at WingNut Films. Known as MAL, this de-mixing software allowed producer Giles Martin to separate individual instruments and voices that were previously baked together on the same track. This meant that for the first time, drums, bass, and vocals could be isolated and repositioned. The result is a stereo mix that feels balanced and powerful without losing the original soul of the 1966 performances.
For audiophiles, the high resolution FLAC 88.2kHz 24-bit files provide the ultimate listening experience. High resolution audio offers a wider dynamic range and more detail than standard CD quality. In the context of Revolver, this clarity is essential. Listeners can hear the physical texture of the strings on Eleanor Rigby and the precise resonance of Ringo Starr’s drums on Tomorrow Never Knows. The increased bit depth ensures that the psychedelic tape loops and backward guitar solos retain their eerie, immersive quality.
The Super Deluxe package is more than just a remix. It includes the original mono master, which many purists still consider the definitive way to hear the album. It also features two discs of session outtakes that pull back the curtain on the creative process at Abbey Road. These tracks reveal the evolution of songs like Yellow Submarine, which began as a melancholic John Lennon demo before becoming the whimsical classic we know today. You can hear the band experimenting with new sounds and laughing in the studio, making these legendary figures feel more human.
The 2022 update also includes the Paperback Writer and Rain singles, which were recorded during the same sessions. Rain, in particular, benefits immensely from the new mixing technology. The heavy bass and slowed down rhythm tracks are clearer than ever, highlighting why it is often cited as one of the best B-sides in rock history.
This Super Deluxe edition is the definitive version of a masterpiece. It bridges the gap between the mid-sixties and the present day. By utilizing high resolution FLAC formats, the release ensures that the intricate layers of the Beatles’ most experimental period are preserved for future generations. Whether you are a lifelong fan or a new listener, this update provides a fresh perspective on the album that changed popular music forever.
If you want to know more about the technical process or the specific tracks: The role of MAL technology in de-mixing Differences between the 1966 and 2022 stereo mixes Highlights from the session outtakes Tell me which area you'd like to dive into next.
Beatles' Revolver Super Deluxe Edition (2022) is a comprehensive expanded reissue of their 1966 masterpiece. While the physical super deluxe sets (5CD or 4LP) feature stereo and mono audio, the high-resolution digital version is available as a 96kHz/24-bit
collection rather than the 88.2kHz format sometimes associated with specific FLAC conversions. TheBeatles.com Core Components
The Super Deluxe package contains 63 tracks in total across several distinct sections: New Stereo Mix
: 14 tracks newly mixed by Giles Martin and Sam Okell using cutting-edge "de-mixing" technology from Peter Jackson's WingNut Films. Original Mono Mix
: The album's original 1966 mono mix, sourced directly from the original master tapes. Revolver Sessions
: 31 tracks of previously unreleased session takes and home demos, including John Lennon’s songwriting work tapes for "Yellow Submarine".
: Features new stereo and original mono mixes of the non-album singles "Paperback Writer" and "Rain". The Beatles Official Store Technical Highlights De-mixing Technology
: This release utilizes AI-driven audio separation that allowed Giles Martin to "un-bake" instruments originally recorded on a single track, such as separating the snare and kick drum from a guitar on "Taxman". High-Resolution Audio
: The digital Super Deluxe collection is officially provided in uncompressed 96kHz/24-bit stereo and mono. Spatial Audio
: New mixes for the original album and singles were also released in Dolby Atmos Physical Features
The physical box sets include premium extras for collectors: The Beatles Official Store 100-page Hardbound Book
: Features a foreword by Paul McCartney, an introduction by Giles Martin, an essay by Questlove, and detailed track notes by Kevin Howlett. Rare Ephemera
: Illustrations include handwritten lyrics, rare photos, and extracts from artist Klaus Voormann’s graphic novel about the creation of the original album cover. Half-Speed Mastering : The vinyl edition features half-speed mastered 180g LPs. The Beatles Official Store Notable Session Tracks Significance "Tomorrow Never Knows" (Take 1)
A completely different, slower version of the psychedelic closer. "Yellow Submarine" (Work Tapes)
Reveals the song's origins as a melancholic acoustic demo by John Lennon. "And Your Bird Can Sing" (Take 2)
Famous for the "giggling" version where John and Paul can't stop laughing during the vocal track. or help finding where to purchase the high-res files Revolver Special Edition Super Deluxe 4LP + 7” Vinyl EP Title: [The Beatles – Revolver (2022 Super Deluxe)][FLAC